for our Antique, Fine Art and Collectables auction held on Wednesday 7th of August 2013
| Lot No | Description | Est | Image |
|---|---|---|---|
| 701 | C Jowett-Ive, a late 20th Century oil on fibre board "Operation Pedestal August 1941", a study of naval operations, signed 19.5"h x 29.5"w | 30-50 |
|
| 702 | A 20th Century match stick montage study of Winchester Cathedral with bandsmen in foreground, bears indistinct signature 9"h x 14"w | 30-50 |
|
| 703 | T Kunisada, late 19th/early 20th Century Japanese School, a woodblock print, an interior scene of a geisha wash room, signed 6.75" x 14" ILLUSTRATED | 100-150 |
|
| 704 | R J Osborn, late 19th Century British School oil on chamfered wooden panel "The Wylds, Hampstead", a rural landscape with figures and cottage in foreground, signed, 7.75"h x 18"w | 40-60 |
|
| 705 | A late 19th Century oil on fibre board, interior scene of pastoral figures and dog, 9.5"h x 7.75"w | 20-40 |
|
| 706 | Long Chiang Shen Shi, 19th Century Japanese School, a coloured print, study of a Jasmine tree in flower 6.25"h x 7.25"w together with a Japanese watercolour on silk, study of a song bird in flight, 10"h x 9"w and 1 other modern print of a stork 23"h x 14"w | 40-60 |
|
| 707 | An early 20th Century Japanese watercolour on silk, study of a peacock together with a companion piece study of a song bird, 4.5"h x 6.5"w | 30-50 |
|
| 708 | John Keix?. Oil on fibre board, an impressionist lake scene of sailing dinghies amongst a parkland setting, unframed, indistinctly signed 18"h x 29.75"w | 30-50 |
|
| 709 | Peter Barker-Mill, a limited edition coloured print "Haute Ecole", an abstract circus scene, signed in pencil, 6/45m 12"h x 10"w | 20-40 |
|
| 710 | A contemporary acrylic on paper, study of a stained glass window, unsigned 20"h x 16"w | 20-40 |
|
| 711 | Vernon Henri, 20th Century French School, oil on fibre board, a Mediterranean village street scene with washer women in the foreground, signed 19.5"h x 29.25"w | 50-80 |
|
| 712 | 19th Century British School, watercolour on paper, cattle watering in a mountainous landscape, unsigned, 6.75"h x 9.5"w | 70-120 |
|
| 713 | Peter Thomas, 20th Century British School, a limited edition coloured print, study of a figure sat upon a seaside promenade, resting under a yellow umbrella, signed and dated '74, 2/6, 11.5"h x 8.5"w | 30-50 |
|
| 714 | After Mario De Biasi, 2 photographic prints of The Brooklyn Bridge 1955 and Park Avenue New York City 1964, 27.5"h x 19.75w | 40-60 |
|
| 715 | An Iranian wool work panel depicting a hunting scene 24" x 26" | 130-180 |
|
| 716 | Trevor Lawrence, a late 19th Century acrylic on canvas, abstract street scene, signed and dated '78 17"h x 10.5"w | 40-60 |
|
| 717 | Coulquhon MacDougall, 20th Century British School, watercolour and gouache on paper, an impressionist mountainous loch scene with trees in foreground, signed , 21.5"h x 29.5"w | 40-60 |
|
| 718 | R Garforth, 20th Century School, oil on canvas, still life study of a floral urn, signed 19.5"h x 15.5"w | 40-60 |
|
| 719 | Late 19th Century School, watercolour and bodycolour on paper, a full length portrait of a gentleman wearing a brown suit and resting in a wheel chair, bears inscription to verso, unsigned, 9.5"h x 7.5"w | 50-100 |
|
| 720 | J C Robinson, early 20th Century British School, a dry point etching, a moorland scene possibly High Tor, Dartmoor, signed in pencil to margin and bears inscription 2.5"h x 7.5"w | 40-60 |
|
| 721 | Scott Alexander?. An early 20th Century watercolour on paper, still life study of anemones in a vase, indistinctly signed and dated 11.5"h x 14"w | 40-60 |
|
| 722 | Rose Chide Crespigny, British, fl. 1891-1929, watercolour on paper, a study of a sailing barge overcome by high seas, signed, 9.75"h x 17.25"w ILLUSTRATED | 200-300 |
|
| 751 | A Victorian reeded silver candlestick with Corinthian column capital on a stepped base 11", marks rubbed | 120-180 |
|