for our Antique, Fine Art and Collectables auction held on Wednesday 7th of August 2013
| Lot No | Description | Est | Image |
|---|---|---|---|
| 656 | A late 18th Century European school, oil on canvas, an allegorical study of a woman retrieving her infant from an eagle's nest, unsigned, hole to canvas, 32"h x 22.5"w | 100-150 |
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| 657 | 20th Century School, watercolour on paper, an ornithological study of song birds within scrolled reserves, monogrammed WGTH 9.5"h x 12.5"w together with a pencil and watercolour study of a Chaffinch 10.5"h x 7"w | 20-40 |
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| 658 | 19th Century naive school, oil on fibre board, a figural study of an old man teaching two young girls to read, unsigned, 15"h x 13"w | 50-100 |
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| 659 | Van Hoesch, 20th Century Dutch School, an interior scene of revellers in the 18th Century style, depicting a portly man and woman drinking in their bedroom, signed, 11.5"h x 15.5"w | 80-120 |
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| 660 | Late 20th Century Continental School, oil on canvas, an impressionist style wooded river scene with pastoral figures in foreground, 23.5"h x 35.5"w, unsigned | 120-180 |
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| 661 | George Hann, 20th Century British School, oil on board, a Mediterranean coastal landscape with figures in foreground, signed 15.5"h x 20"w | 100-150 |
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| 662 | A 19th Century Continental School, oil on card, head and shoulder portrait of a lady, the sitter wearing a black veiled floral bonnet and crimson scarf, feigned to oval 12.5"h x 10.25w, within a carved giltwood frame with foliate spandrels on blind lattice ground, frame 20.5"h x 18"w | 50-100 |
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| 663 | Mabel Alington Royds, British 1874-1941, a coloured wood block print of a standing young girl inspecting her Christmas stocking, signed in pencil to margin, 5.5"h x 2.5"w | 100-150 |
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| 664 | T Robinson, early 20th Century British School, 2 watercolours on paper, study of British steam liners at sea, one signed 3.25"h x 4.25"w | 50-100 |
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| 665 | 19th Century Northern European School, oil on canvas, a pastoral wooded landscape with cows watering in foreground with herdsman, together with a companion piece, unsigned, 19.5"h x 23.5"w | 300-500 |
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| 666 | Ann Ellison, watercolour and oil pastel on paper "Red Cyclamen", a still life study 18.5"h x 17.25"w | 30-50 |
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| 667 | Spencer Roberts, 20th Century British School, a limited edition coloured print "Mother and Child", a study of mountain gorillas, signed in pencil to margin, 787/850, 19"h x 13.5"w | 50-75 |
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| 668 | J H Woolgrove, 20th Century School, a pen and ink on paper, an abstract fanciful study of a subterranean world amongst a stylised woodland, signed, 15.5"h x 11"w | 30-50 |
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| 669 | A late 19th Century Continental School, watercolour on paper, an alpine farmstead with pastoral figures in foreground, indistinctly signed 10"h x 16"w | 70-120 |
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| 670 | John Vivian Roberts, British 1923-2003, monochrome print study of a street vendor selling kites, signed in pencil and dated 1966, 30"h x 19.5"w | 40-60 |
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| 671 | William Bell Scott, British 1811-1890, watercolour and gouache on paper, architectural study of Finchale Priory in County Durham, dated 1863 5"h x 6.75" | 150-200 |
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| 672 | Admiral Sir Joseph Sidney Yorke, British 1763-1831, watercolour, a landscape study of ruins on a wooded headland, 9.75"h x 14.25"w | 70-100 |
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| 673 | John Smart, British 1838-1899, watercolour on paper, a landscape study of Derwent water "From Ashness Bridge" monogrammed 7"h x 11"w | 200-300 |
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| 674 | J Poiteous-Wood, watercolour on paper highland river scene - "Strathfillan" signed and dated 1944 10.5"h x 15"w | 80-120 |
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| 675 | Robert Taylor, British 20th Century School, a coloured print "The Dambusters" signed in pencil to the margin Mick Martin, Air Marshall Sir Harold Martin, 12.75"h x 18.25"w | 40-60 |
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| 676 | 20th Century School, oil on board, a half length portrait of George III holding a love letter, within a foliate and scroll carved giltwood frame 9"h x 7.5"w | 20-40 |
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| 677 | 20th Century School, oil on wooden panel, head and shoulder portrait of a Cardinal sitting to sinister in ceremonial robes within a 19th Century style frame, unsigned 9.5"h x 7.5"w | 50-75 |
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| 678 | After Gustav Klimt, a screen print "The Kiss" within a giltwood frame, 32"h x 19.5"w | 50-100 |
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| 679 | Jac Koper, contemporary, oil on canvas, a Mediterranean coastal village scene with figures in foreground and mountains to the distance, signed, 29.5"h x 39.5"w | 100-150 |
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| 680 | Milen Milousher, contemporary, acrylic on board, study of an Antipodean landscape at sunset, signed 31"h x 47"w | 80-120 |
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