for our Antique, Fine Art and Collectables auction held on Wednesday 31st of August 2016
| Lot No | Description | Est | Image |
|---|---|---|---|
| 446 | Amies, oil on canvas, signed, pointillist landscape study 24" x 30" | 200-250 |
|
| 447 | Hilda E King, oil on board, sunflowers in a purple vase, signed and dated May 1974 23 1/2" x 19 1/2" | 40-60 |
|
| 448 | After Edouard Bisson, a christoleum of six standing maidens with cupid in distance 7" x 9 1/2" contained in an ebonised frame | 50-75 |
|
| 449 | E Chester, a pair of oil paintings, signed, still life fruits and flowers 11 1/2" x 8" | 30-50 |
|
| 450 | Oil on canvas, seascape with ships and seagulls, indistinctly signed to bottom right hand corner 12" x 31" | 40-60 |
|
| 451 | John Speede, Map of Rutlandshire with Oukham and Stamford her bordering neighbour newly described, with coloured borders and armorials 15" x 20" together with C & J Greenwood a map of The County of Rutland, coloured borders with vignette 22" x 26" | 30-50 |
|
| 452 | Lance Cattermole, oil on board, signed, an Alpine scene with buildings 13 1/2" x 18" | 60-90 |
|
| 454 | An Edwardian print of Ellen Terry - "You are merry so am I ha ha" dated 1902, from The Merry Wives of Windsor 7" x 7 1/2" | 20-30 |
|
| 456 | E Bushby, oil on board, still life study of flowers 5 1/2" x 8" | 40-60 |
|
| 457 | An Edwardian oil on board, signed, figures in a poppy field 5 1/4" x 7 1/2" | 30-50 |
|
| 458 | Caricatures from the New Statesman 1926 - Winston Churchill 12 1/2" x 8 1/2", 2 others and a Sowerby print, study of flowers 7" x 4 1/4" | 30-40 |
|
| 459 | Coleman Angell, watercolour, signed, still life study of apple blossom, 6" x 10" contained in a decorative gilt frame with old label to the reverse - John A Colling New Bond Street | 150-200 |
|
| 460 | Edwin Hayes, oil on board, signed bottom to the bottom right hand corner, study of Dutch boats ashore with fishermen in the foreground, contained in a gilt frame 5.5" x 8 1/2" | 200-300 |
|
| 461 | Oil painting on board, study of a figure watering a horse in a pond, figures walking and hills in distance 6" x 10" | 50-80 |
|
| 462 | Oil painting on canvas, study of a cloister with nun at devotion 23 1/2" x 29 1/2", indistinctly signed to bottom right hand corner | 40-60 |
|
| 463 | L Goddard '52, oil on canvas, signed, a view of the Thames with figures, unframed 15 1/4" x 18 1/2" | 30-50 |
|
| 464 | Anthony Kerr, oil painting on board, Gravesend and Tilbury, industrial scene, 24" x 36", signed to the bottom right hand corner | 40-60 |
|
| 465 | An Edwardian oil on canvas, unsigned, study of a shire horse by a trough with distant farm buildings, 24" x 34" | 60-90 |
|
| 466 | Victorian oil on canvas, unsigned and unframed, figures before windmills 7 1/4" x 10 1/4", H Parker oil on board lakeside scene with cottages 9 1/2" x 11 1/2" | 30-50 |
|
| 467 | A 20th Century Chinese scroll painting of flowers | 20-40 |
|
| 468 | A 19th Century American style oil on canvas, study of a racing buggy with horse, bears signature to the bottom right hand corner L B Hurst, 11" x 23 1/2" contained in a walnut frame | 50-75 |
|
| 469 | Edwardian oil paintings on canvas, a pair, studies of country cottage and cottage by a stream 7 1/2" x 11 1/2", monogrammed SB, dated 1907 | 40-60 |
|
| 470 | A monochrome silhouette print, profile of a lady, 7" x 3" in an oak frame | 30-50 |
|
| 471 | D Bovey, watercolour, study of Bluetits in daffodils 14" x 12", signed | 40-60 |
|
| 472 | R W Orr, watercolour, study of an Ocelot 4" x 4", signed | 150-200 |
|