for our Antique, Fine Art and Collectables auction to be held on Wednesday 12th and Thursday 13th of August 2026
| Lot No | Description | Est | Image |
|---|---|---|---|
| 831 | Northern European School, Lady and Gentleman in Elizabethan Dress, late 18th/early 19th century carved wood relief, 25cm x 19cm, mounted on velvet within an oak and gilt composition frame. | 50-75 |
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| 832 | After William Stewart Watson (1800-1870), "The Inauguration of Robert Burns as Poet-Laureate of the Canongate Kilwinning Lodge", 19th century chromolithograph, 42cm x 64cm, within a gilt composition frame. | 40-60 |
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| 858 | **Sir Terry Frost (British, 1915-2003) - Trembath Blues, screenprint in colours on Arches wove paper, signed and dated 2000, artist's proof outside of the edition of 300 published by Advanced Graphics, London, 23cm x 27.5cm, within a painted wood frame. **Please note - Artists Resale Rights may be payable on this lot | 400-600 |
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| 859 | Breon O'Casey (British, 1928-2011), "Fish I", acrylic on paper, signed and dated 2003 recto, titled in ink verso, 25cm x 4cm, within a silvered frame. Provenance: Yew Tree Gallery, Penzance. Note: Fish rank among Breon O'Casey's most enduring and evocative motifs, providing an ideal vehicle through which to explore rhythm, balance and simplified geometric form. Inspired by the maritime landscape and fishing culture of St Ives, these archetypal subjects recur throughout his oeuvre, reflecting his lifelong fascination with reducing natural forms to their essential visual elements. One of the most versatile artists associated with the St Ives School, O'Casey worked as a painter, printmaker, sculptor, weaver and jeweller. The son of the playwright Sean O'Casey, he settled in St Ives in 1959, where he worked alongside Barbara Hepworth and Denis Mitchell and became part of the town's remarkable post-war artistic community. Drawing upon ancient and non-Western art as well as the Cornish landscape, O'Casey developed a highly personal abstract language that united craftsmanship with poetic simplicity. | 800-1200 |
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| 868 | James Campbell (1942-2019), "Landscape with Ploughed Field", ceramic tile, signed and titled verso, 16cm x 19cm, within a painted wood frame. | 200-400 |
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| 869 | Camilla Ward, Abstract Forms, glazed ceramic tile, signed and dated verso, 29cm x 29cm, within a painted wood frame. | 40-60 |
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| 871 | Fiona Millais (British, b.1960), "Lawn & Stream", acrylic on canvas, signed recto, titled and dated 2000 to label verso, 34cm x 49cm, within a stained wood frame. | 60-90 |
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| 872 | Annie Soudain (British, b.1949), "Frosty Night", 20th century linocut, signed, titled and editioned 1/20 in pencil, 28cm x 32cm, within a painted wood frame. | 50-80 |
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| 877 | Denise Gale, "Thimble Series 2", 21st century ink, signed and titled artist's label verso, 29cm x 21cm, within a limed wood frame. | 40-60 |
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| 878 | Denise Gale, Abstract, 21st century ink, 21cm x 29.5cm, within a limed wood frame. | 40-60 |
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| 879 | British School, Grapes Study, 20th century acrylic and pastel over pencil, indistinctly signed, 17.5cm x 12cm, within a stained wood frame. | 40-60 |
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| 880 | British School, Abstract Study, mixed media with acrylic over an Italian map, indistinctly signed, 14.5cm x 14.5cm, within a limed wood frame. | 40-60 |
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