for our Antique, Fine Art and Collectables auction held on Wednesday 18th of December 2019
| Lot No | Description | Est | Image |
|---|---|---|---|
| 372 | A 19th Century steel and brass geometry set contained in a rosewood case | 30-40 |
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| 373 | A 1920's circular opaque glass marble effect light shade 15cm x 30cm | 30-50 |
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| 374 | A Victorian rectangular black and floral patterned paper mache tea caddy with hinged lid, fitted 2 compartments 10cm x 18cm x 12cm | 30-50 |
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| 375 | A Kenrick no.6 cast iron cork compressor and a circular cast iron travelling 3 burner stand | 40-60 |
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| 376 | A stone axe head 10cm x 4cm | 50-75 |
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| 377 | An L Oertlinger Release-o-matic balance contained in a mahogany case | 40-60 |
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| 378 | A Persian style machine made wall hanging with central medallion and mounted figures around the edge 238cm x 192cm | 30-50 |
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| 379 | A carved bamboo cane with gilt metal terminal in the form of a 2 faced head | 30-50 |
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| 401 | Donald Ayres (b.1936), oil on board signed, West Country winter landscape 30cm x 40cm | 250-300 |
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| 402 | Donald Ayres (b.1936), oil on board signed, Devon landscape at sunset, 29cm x 39cm | 300-400 |
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| 403 | Marcella Smith (1887-1963) watercolour, still life study of peony, 39cm x 49cm | 60-80 |
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| 404 | Richard W Orr, gouache signed, study of pandas 34cm x 29cm | 65-85 |
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| 405 | Henry Moore, (1831-1895) oil on canvas, seascape, with Cider House Galleries label to the back, 23cm x 39cm | 500-700 |
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| 406 | 19th Century oil on board unsigned, study of a lady before a watermill, 23cm x 29cm | 50-75 |
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| 407 | Roger Tolson (1958), oil on board "St Mary's Park No.1" with Royal Academy Summer Exhibition 1987 label 27cm x 36cm | 80-120 |
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| 408 | W J Palmer, watercolours signed, studies of Wimbledon Common 11.5cm x 19.5cm | 120-150 |
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| 409 | Hilda Waller 1950, oil on board, still life study of a jug of flowers 55cm x 50cm | 50-75 |
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| 410 | Charles Wuthrich (1875-1967), oil on board signed, a woodland scene, 32cm x 41cm | 80-120 |
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| 411 | Joseph Dakin (1859-1914), watercolour signed and dated 1871, study of a shepherd and flock in a moorland setting 26cm x 44cm | 100-150 |
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| 412 | 20th century, oil on canvas, indistinctly signed, Continental riverview 45cm by 65cm | 80-120 |
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| 413 | Jill Bays, watercolour, still life study, 35cm x 52cm | 250-300 |
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| 414 | Terrence T Cuneo (1907-1996), limited edition coloured print signed in pencil 113/500 "Camargue Round-Up" 53cm x 65cm | 50-75 |
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| 415 | William Russell Flint (1880-1969), limited edition coloured print 457/850 with blind proof stamp, study of a reclining naked lady 42cm x 59cm | 50-75 |
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| 416 | Peter Cox (1912-1985) oil on canvas signed, lakeside view with distant buildings 58cm x 90cm | 80-120 |
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| 417 | Sir William Russell Flint, limited edition print no. 574/850 with blind proof stamp, study of Spanish ladies 52cm x 70m | 80-120 |
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