for our Antique, Fine Art and Collectables auction held on Wednesday 12th of January 2022
| Lot No | Description | Est | Image |
|---|---|---|---|
| 801 | Murray McNeel Caird Urquhart (1880-1972), oil on canvas signed, a Scottish landscape with figures before a stream and distant cottages 50cm x 60cm | 200-400 |
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| 802 | Murray McNeel Caird Urquhart (1880-1972), oil on canvas signed and dated 1931, a Scottish interior market scene with figures, stalls and customers 50cm h x 67cm | 200-400 |
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| 804 | Alan King, oil on canvas signed, "Call at the Village Inn, Memories of North Hill Somerset" the reverse labeled, signed and dated 1997 29cm x 39cm | 100-150 |
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| 805 | Alan King, oil on canvas signed, "Awaiting the Farrier" dated on the reverse 1996 and with certificate 29cm x 39cm | 100-150 |
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| 806 | Alan King, oil on canvas signed, "The Painting in the Window", labelled, signed and dated on the reverse 1990, 29cm x 39cm | 100-150 |
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| 807 | Pieter Cornelis Steenhouwer (1896-1972), oil on canvas signed, Amsterdam Street Scene with figures 49cm x 39cm | 80-120 |
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| 814 | 19th Century oil on canvas unsigned, study of an elderly lady 23cm x 18cm | 50-75 |
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| 818 | A 19th Century style oil on canvas unsigned, a study of a Delft bowl of cherries 18cm x 24cm | 40-60 |
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| 823 | 20th Century oil on canvas unsigned, portrait of a standing Arthur Wellesley, First Duke of Wellington 120cm h x 90cm contained in a gilt frame | 100-200 |
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| 824 | Mervyn Goode, b.1948, oil on canvas signed, a country landscape with cattle beside a stream 70cm x 105cm | 100-150 |
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| 825 | Alan King, oil on canvas signed and dated 1988, "Daily Visitor" figures before a thatched cottage, with certificate to the reverse 29cm x 39cm | 100-150 |
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| 826 | After Vermeire, oil on canvas study of a Continental bagpipe player 41cm x 30cm | 80-120 |
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| 827 | 19th Century English oil on canvas unsigned, extensive Scottish landscape with fisherman beside a river and distant mountains, 32cm x 65cm | 50-100 |
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| 829 | 20th Century oil on canvas, study of a Hussa 89cm h x 59cm | 100-150 |
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| 830 | 20th Century oil on canvas unsigned, full length portrait study of George IV 90cm x 60cm | 200-300 |
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| 831 | 20th Century oil on canvas, Russian, impressionist style study of a seated lady 88cm x 68cm, marked to the reverse | 100-200 |
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| 832 | A Victorian oil on canvas unsigned, portrait of a seated lady 36cm x 29cm | 50-80 |
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| 835 | M McShane, oil on canvas signed, extensive landscape with sheep 50cm x 60cm | 50-75 |
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| 836 | 20th Century oil on canvas, a dead lion before a mosque with figures 60cm h x 50cm | 50-75 |
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| 839 | A Continental 17th Century style oil on canvas, an allegorical study of a lady with attendants casting adrift a baby in a basket on a river with distant town 64cm x 75cm | 200-300 |
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| 840 | In the manner of Peter Tillemans, a mid 18th Century oil on dome shaped canvas, unsigned, a view of London and the River Thames from Greenwich Hill with the Royal Observatory to the left, The Queen's House to the right and a distant view of St Pauls with figures and animals in the foreground, 87cm h x 111cm w. Of note is the scaffold to Queen Mary Court which competed construction in 1751. | 3000-5000 |
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| 841 | Alan Tinsey 1977, oil on canvas, Cornish quayside scene with fishing boats, 70cm x 90cm | 50-75 |
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| 842 | David Hazelwood, oil wash on handmade paper, "Cottage" 32cm x 27cm, the reverse with label signed D Hazelwood Monolith 1978 | 60-80 |
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