for our Antique, Fine Art and Collectables auction held on Wednesday 12th of January 2022
| Lot No | Description | Est | Image |
|---|---|---|---|
| 820 | Pierre-Auguste Renoir (1841-1919), etching, "Berthe Morisot" 18cm x 16cm together with a "certificate of authenticity from Park West Gallery Michigan" | 100-150 |
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| 821 | 19th Century oval portrait miniature of a gentleman 14cm x 10cm | 50-75 |
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| 822 | Terence Tenison Cuneo (1907-1996), coloured print dated '68 "Bentleys at Le Mans 1929" 66cm x 78cm | 50-75 |
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| 823 | 20th Century oil on canvas unsigned, portrait of a standing Arthur Wellesley, First Duke of Wellington 120cm h x 90cm contained in a gilt frame | 100-200 |
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| 824 | Mervyn Goode, b.1948, oil on canvas signed, a country landscape with cattle beside a stream 70cm x 105cm | 100-150 |
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| 825 | Alan King, oil on canvas signed and dated 1988, "Daily Visitor" figures before a thatched cottage, with certificate to the reverse 29cm x 39cm | 100-150 |
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| 826 | After Vermeire, oil on canvas study of a Continental bagpipe player 41cm x 30cm | 80-120 |
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| 827 | 19th Century English oil on canvas unsigned, extensive Scottish landscape with fisherman beside a river and distant mountains, 32cm x 65cm | 50-100 |
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| 828 | James Paterson (1854-1937), watercolour signed and dated 1907, "View of Ostend Harbour" 25cm x 35cm | 200-300 |
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| 829 | 20th Century oil on canvas, study of a Hussa 89cm h x 59cm | 100-150 |
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| 830 | 20th Century oil on canvas unsigned, full length portrait study of George IV 90cm x 60cm | 200-300 |
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| 831 | 20th Century oil on canvas, Russian, impressionist style study of a seated lady 88cm x 68cm, marked to the reverse | 100-200 |
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| 832 | A Victorian oil on canvas unsigned, portrait of a seated lady 36cm x 29cm | 50-80 |
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| 833 | A Victorian pastel portrait of Charlotte Elliott Grenfell aged 15, unsigned, 40cm x 30cm | 40-60 |
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| 834 | After J H Vignoles Fisher (1860-1939), coloured print with figure and cattle in an extensive landscape, inscribed in pencil 33cm x 45cm | 50-75 |
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| 835 | M McShane, oil on canvas signed, extensive landscape with sheep 50cm x 60cm | 50-75 |
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| 836 | 20th Century oil on canvas, a dead lion before a mosque with figures 60cm h x 50cm | 50-75 |
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| 837 | A 19th Century 2 colour wax work portrait bust of a gentleman marked Soke 11cm x 9cm | 30-50 |
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| 838 | A 19th Century wax portrait bust of a gentleman wearing a frock coat 9cm x 7cm contained in a walnut frame | 40-60 |
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| 839 | A Continental 17th Century style oil on canvas, an allegorical study of a lady with attendants casting adrift a baby in a basket on a river with distant town 64cm x 75cm | 200-300 |
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| 840 | In the manner of Peter Tillemans, a mid 18th Century oil on dome shaped canvas, unsigned, a view of London and the River Thames from Greenwich Hill with the Royal Observatory to the left, The Queen's House to the right and a distant view of St Pauls with figures and animals in the foreground, 87cm h x 111cm w. Of note is the scaffold to Queen Mary Court which competed construction in 1751. | 3000-5000 |
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| 841 | Alan Tinsey 1977, oil on canvas, Cornish quayside scene with fishing boats, 70cm x 90cm | 50-75 |
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| 842 | David Hazelwood, oil wash on handmade paper, "Cottage" 32cm x 27cm, the reverse with label signed D Hazelwood Monolith 1978 | 60-80 |
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| 843 | A 19th Century coastal map of the North of England to Scotland, plate no.5, coloured, 44cm x 28cm | 40-60 |
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| 862 | A Continental 8 day striking mantel clock with 15cm arched gilt dial, Arabic numerals and silvered chapter ring, contained in an oak case, complete with pendulum 37cm h x 24cm w x 15cm d | 30-50 |
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