for our Antique, Fine Art and Collectables auction to be held on Wednesday 28th of January 2026
| Lot No | Description | Est | Image |
|---|---|---|---|
| 751 | Robert Gwelo Goodman (1871-1939), South African Landscape, possibly Stellenbosch, early 20th century oil on canvas-board, signed with initials, 30cm x 39cm, within a stained wood frame. | 800-1200 |
|
| 752 | William Alister Macdonald (British, 1861-1956), The River Thames at Greenwich with the Royal Naval College, 19th century watercolour, signed with initials and dated 97, 22cm x 36cm, within a gilt frame. | 80-120 |
|
| 753 | Alfred Montague (British, 1832-c.1883), Gdansk, Poland, oil on canvas, signed and dated 1865, 76cm x 37cm, within a gilt composition frame. | 80-120 |
|
| 754 | **Maurice Ghiglion-Green (French, 1913-1989), "Le Jardin aux Oiseaux", oil on board, signed recto, titled verso, 48cm x 59cm, within a painted wood frame. ** Please note, Artists Resale Rights may be payable on this lot | 300-400 |
|
| 755 | George Craig Spence (British, b.1931), "Hillside, Perth Scotland", oil on paper, signed recto, titled verso, 37cm x 46cm, within a gilt frame. | 40-60 |
|
| 756 | **Michael Lawrence Cadman (British, 1920-2010), "Ferry Cottages, Norwich", watercolour, signed and dated 1988 recto, titled Royal Institute of Painters in Watercolours label verso, 34cm x 46cm, within a gilt frame.** Please note, Artists Resale Rights may be payable on this lot | 40-60 |
|
| 757 | Henry Macbeth-Raeburn (British, 1860-1947), "Rye from the Estuary, Sussex", etching with drypoint, signed in pencil, 16cm x 38cm, within an ebonized frame. | 40-60 |
|
| 758 | Tom Mostyn (1864-1930), Figures before a Thatched Cottage, oil on canvas, signed, 50cm x 67cm, within a swept gilt composition frame. | 200-400 |
|
| 759 | British School, Landscape with River, Bridge, Figure and distant Cottage, oil on canvas, 49cm x 59cm, re-lined, within a gilt composition frame with corner crestings. | 50-70 |
|
| 760 | Barbara Crowe (British, b.1942), "Early Autumn Flowers", watercolour with gouache, signed recto, titled The Society of Women Artists label verso, 50cm x 57cm, within a gilt frame. | 40-60 |
|
| 761 | British Pop Art School, David Bowie as Ziggy Stardust, limited edition colour print, indistinctly signed, dated 2016 and editioned 9/15, 81cm x 58cm, within an aluminium frame. | 50-70 |
|
| 762 | George Hunt, after Joseph Moore, "Inside View of the Gold Temple on the Terrace of the Great Dagon Pagoda at Rangoon", aquatint with hand colouring, published 1815, from Moore's "Eighteen Views taken at and near Rangoon", 26cm x 36cm, within a gilt frame. | 40-50 |
|
| 763 | Chinese Canton School, Qing Dynasty, Figures undertaking various pursuits, a set of four gouaches on pith paper, 17cm x 12cm each, framed as one within an ebonized frame. | 50-80 |
|
| 764 | Hans Richard von Volkmann (German, 1860-1927), "Mairegen", early 20th century lithograph, 41cm x 54cm, within an ebonized frame. | 30-40 |
|
| 765 | French School, Study of a Lady en deshabille, late 19th/early 20th century enamels on glass, 33cm x 23cm, within a gilt composition frame. | 50-80 |
|
| 766 | James Barnes (British, 1870-1923), Portrait of a Young Girl, 19th century oil on board, artists name to mount, 16cm x 12cm, within a gilt composition frame. | 50-80 |
|
| 767 | **Frank Brangwyn (British, 1867-1956), "Corfu", watercolour, signed with initials and titled recto, dated 1899 verso, 17cm x 12cm, within an ebonized frame. Provenance: Hartleys, 20th January 2021, lot no. 370.** Please note, Artists Resale Rights may be payable on this lot | 200-300 |
|
| 768 | Maria Graziano, Two Putti forging Gold (after the fresco at Casa de Vettii, Pompeii), watercolour with gouache, signed, 7.5cm x 12cm, within a gilt frame | 30-40 |
|
| 769 | Circle of David Teniers (Dutch, 1610-1690), Two topers smoking in a tavern interior, oil on copper, label verso, 13cm x 9cm, within a gilt frame. Note: an identical composition to the present work was sold at Bonhams, 24th November 2009, lot no. 132. | 80-120 |
|
| 770 | William Hole, after William Saxton, "Universi Derbiensis Comitatus qui olim Coritanorum Suit descripto" (Map of Derbyshire), 17th century engraving with hand-colouring, 30m x 33cm, within a gilt frame. | 50-80 |
|
| 771 | **Thomas James Carr (British/Irish, 1909-1999), Landscape with Trees, Figures and Buildings, oil on board, signed, 26m x 36cm, within a painted wood frame. Note: Born in Belfast, Thomas Carr studied at the Slade School of Fine Art before travelling widely in Europe and later settling in Newcastle, County Down. Associated with the Euston Road School during the 1930s, he is best known for realist paintings of domestic interiors and rural landscapes. Carr exhibited extensively in London from the mid-1930s and was included in the Objective Abstraction exhibition at the Zwemmer Gallery in 1935. His work is held in major public collections, including the Tate Gallery. ** Please note, Artists Resale Rights may be payable on this lot | 800-1000 |
|
| 772 | George Morland (British, 1763-1804), Droving Cattle in a Landscape with hilltop House and Horses, Donkeys, Dogs and Figures in a Landscape near a Cottage, a pair of 18th century pencil drawings on laid paper, The Tolley Gallery stamps verso, each 17cm x 29cm, both within stained oak wood frames. | 100-200 |
|
| 773 | Christopher Osborne (British, b.1947), "March Sunlight", oil on board, signed recto, titled and dated 2011 verso, 19cm x 29cm, within a gilt and hessian frame. | 50-80 |
|
| 774 | Morand, Continental Street Scene, probably Rothenberg, late 19th/early 20th century watercolour, signed, 30cm x 22cm, within a gilt composition frame. | 40-50 |
|
| 775 | **Robert Gillmor (1936-2022), Smew Ducks, 20th century colour print, signed in pencil, 17cm x 21cm, within a silvered frame.** Please note, Artists Resale Rights may be payable on this lot | 80-120 |
|