for our Antique, Fine Art and Collectables auction held on Wednesday 16th of July 2014
| Lot No | Description | Est | Image |
|---|---|---|---|
| 476 | Theo Hines. Oil painting. The Thames at Nuneham Courtney, signed 7 3/4" x 15 1/2" | 100-200 |
|
| 477 | 20th Century oil painting, a maritime study of ships in choppy sea, unsigned, 19" x 25" | 50-75 |
|
| 478 | A Victorian oil painting, a naive winter scene with a lady walking across a bridge beside cottages and distant trees, unsigned 11 1/2" x 23 1/2" | 50-75 |
|
| 479 | Early 20th Century oil painting. A Continental mountainous woodland path with a figure and goat and distant mountains, signed, 21" x 17 1/2" | 50-75 |
|
| 480 | A B, oil painting on canvas, an early 20th Century landscape with pond in distance, farm buildings, monogrammed 15 1/2 x 21 1/2" | 50-80 |
|
| 481 | R Percy, oil on canvas, an early 20th Century landscape view with pond, fields and distant farm buildings, signed, 15 1/2" x 21 1/2" | 50-100 |
|
| 482 | 20th Century oil painting on canvas, study of a Pierrot on a swing, monogrammed and dated, unframed 36" x 24" | 50-75 |
|
| 483 | 19th Century pastel drawing. A portrait study of a lady wearing a broad rimmed hat, unsigned 33" x 25" | 50-75 |
|
| 484 | Cecil Aldin, a print, an extensive fox hunting scene, signed in pencil 15" x 25" | 50-80 |
|
| 485 | Edwardian watercolour, a river study with figures and a boat with distant hills, unsigned 10" x 21" | 50-75 |
|
| 486 | Terry Evans, watercolour, a rural study of farm buildings beside a river, signed 10" x 14" | 50-75 |
|
| 487 | Edwardian watercolour, a rural view with a farm worker sitting on a log with 2 cattle and distant hills, unsigned 6 3/4" x 13 3/4" | 50-75 |
|
| 488 | Edwardian watercolour, a study of a lady and 2 children in a country lane with geese, cottages and a distant windmill, unsigned, 10" x 13" | 50-75 |
|
| 489 | Edwardian watercolour, a passageway leading to a moored boat, indistinctly signed 13 1/2" x 8 1/2" | 50-75 |
|
| 490 | 20th Century pencil drawing, an interior scene, monogrammed 27" x 19" | 50-100 |
|
| 491 | A Victorian print, an allegorical Victorian street scene, indistinctly signed 24" x 17" | 50-75 |
|
| 492 | An Edwardian watercolour, a study of a street scene with a child looking into a shop window and figures in the background, unsigned 12" x 19 1/2" | 50-75 |
|
| 493 | Kenneth Walch, oil, a pointillist style contemporary study "Population Problem in a Square World" unsigned, label on verso, 24" x 24" | 400-500 |
|
| 494 | An Edwardian watercolour, study of a sunset at lakeside scene with distant hills, unsigned 18" x 14 1/2" | 50-75 |
|
| 495 | Robert Capstick, oil painting, an Australian forest scene with pond, signed 10 1/2" x 9" | 50-75 |
|
| 496 | W & R Chambers, map of Russia in Europe with coloured highlights 11 1/2 x 9 1/2" | 25-35 |
|
| 497 | An early 19th Century oil painting. An oval naive study of a young lady holding a basket on the steps of a country house garden, unsigned, 14 1/2" x 11 1/2" | 150-200 |
|
| 498 | Hilary Bartholomew, oil painting, study of a doll beside a vase of flowers, monogrammed 7" x 7" | 50-70 |
|
| 499 | After F Dadd, mixed media, study of a seated 18th Century gentleman, unsigned 6" x 3 1/2" | 100-150 |
|
| 500 | Victorian watercolour, a study of 2 children sitting on a chaise longue, unsigned, framed in the oval in a gilt and velvet inset with tied ribbon gilt frame, 6.25" x 5" | 50-75 |
|