for our Antique, Fine Art and Collectables auction held on Wednesday 16th of July 2014
| Lot No | Description | Est | Image |
|---|---|---|---|
| 492 | An Edwardian watercolour, a study of a street scene with a child looking into a shop window and figures in the background, unsigned 12" x 19 1/2" | 50-75 |
|
| 493 | Kenneth Walch, oil, a pointillist style contemporary study "Population Problem in a Square World" unsigned, label on verso, 24" x 24" | 400-500 |
|
| 494 | An Edwardian watercolour, study of a sunset at lakeside scene with distant hills, unsigned 18" x 14 1/2" | 50-75 |
|
| 495 | Robert Capstick, oil painting, an Australian forest scene with pond, signed 10 1/2" x 9" | 50-75 |
|
| 496 | W & R Chambers, map of Russia in Europe with coloured highlights 11 1/2 x 9 1/2" | 25-35 |
|
| 497 | An early 19th Century oil painting. An oval naive study of a young lady holding a basket on the steps of a country house garden, unsigned, 14 1/2" x 11 1/2" | 150-200 |
|
| 498 | Hilary Bartholomew, oil painting, study of a doll beside a vase of flowers, monogrammed 7" x 7" | 50-70 |
|
| 499 | After F Dadd, mixed media, study of a seated 18th Century gentleman, unsigned 6" x 3 1/2" | 100-150 |
|
| 500 | Victorian watercolour, a study of 2 children sitting on a chaise longue, unsigned, framed in the oval in a gilt and velvet inset with tied ribbon gilt frame, 6.25" x 5" | 50-75 |
|
| 501 | Cecil Aldin, a print, an extensive fox hunting study, signed in pencil "The Pytchley" 12 1/2" x 26 1/2" | 50-100 |
|
| 502 | Sarah Lees, acrylic on board, a study of a European lady in a stylised landscape, signed 20" x 15 1/2" | 50-100 |
|
| 503 | Alphonse Mucha, a set of 4 Art Nouveau style polychrome prints of ladies 35" x 11" | 50-75 |
|
| 504 | 19th Century prints, 3 fashion plates decorated with sequins, England, Scotland and Wales 8" x 7" | 50-80 |
|
| 505 | 20th Century oil painting on board, an atmospheric study of a hay cart with figures beneath and oak tree, signed 13" x 11" | 100-150 |
|
| 506 | An good 18th Century watercolour, an interior study of 3 ladies in gowns, in a period 18th Century Rococo oval frame, unsigned, 13" x 9" | 100-200 |
|
| 507 | Cecil Aldin prints, 3 interior scenes and a hunting scenes, framed as a set 14" x 24" | 50-100 |
|
| 508 | P H Jamin, oil painting, "L'Accordeoniste" a contemporary study of an accordion player, monogrammed, unframed 39" 1/2" x 29" | 750-950 |
|
| 509 | P H Jamin, oil painting, "L'Accordeoniste" a contemporary study of an accordion player, monogrammed, unframed 39 1/2" x 29" | 750-950 |
|
| 510 | W S Tomkin 1917, watercolour, a maritime study of boats at sea with a distant steamer, signed and dated 5" x 9" | 50-100 |
|
| 511 | Early 20th Century prints, a set of 4 hunting scenes 10" x 13" | 50-100 |
|
| 512 | Milton Drinkwater, watercolour "Prince Charlie Monument Loch Shiel" signed 12" x 19" | 50-100 |
|
| 513 | E Noble, a map of Middlesex from the authorities 16" x 21" | 50-100 |
|
| 514 | Tretchikoff, prints, "The Lost Orchid" 20 1/2" x 18" | 50-100 |
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| 515 | Tretchikoff, print, "Rearing Zebras" 39" x 29" | 50-100 |
|
| 516 | A 1920's watercolour, portrait miniature of a seated lady in a velvet frame 3" x 2" | 30-40 |
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