for our Antique, Fine Art and Collectables auction to be held on Wednesday 15th and Thursday 16th of July 2026
| Lot No | Description | Est | Image |
|---|---|---|---|
| 877 | Robert Morden, "Hampshire" (Map of the County), 18th century engraving with hand-colouring on laid paper, 36cm x 42cm, within an ebonized frame. | 30-40 |
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| 878 | Eugene Demester (1914-1984), "Pays de Caux, France", 20th century oil on canvas, signed, 25.5cm x 33m, within a swept gilt composition frame. | 60-90 |
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| 879 | Wilhelmina Barnes-Graham (British, 1912-2004), "Nocturne", oil on paper laid onto board, signed and dated 1961 recto, titled, further dated 1962 and inscribed with artist's address verso, 25.5cm x 34cm, within a painted wood frame. Provenance: Alan Wheatley Art; David Lay, 30th July 2009. | 3000-5000 |
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| 880 | Joseph Arthur Palliser Severn (1842-1931), "A Volunteer Camp on Wimbledon Common", watercolour, signed and dated 1868, 19.5cm x 29.5m, within a gilt frame. Provenance: Sotheby's, 18th December 1980, lot no.42. | 300-500 |
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| 881 | Joseph Milner Kite (1862-1945), "Cagnes near Nice", oil on canvas-board, signed, titled and dated '08 recto, further titled and dated 1908 verso, 20.5cm x 31.5cm, within a gilt composition frame. | 200-300 |
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| 882 | Edward Lear (1812-1888), "A Street Scene in Vevey, Switzerland", watercolour, inscribed and dated 1837, 28cm x 18cm, within a stained wood frame. Provenance: Christie's 8th July 1997, lot no.76. | 2000-4000 |
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| 883 | Nisaburo Ito (1905-2001), "Pagoda of Ninnaji Temple in Snow" woodblock in colours, signed with seal recto, titled label verso, 39.5cm x 26cm, within an ebonized frame. | 80-120 |
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| 884 | **Sherree Valentine-Daines (b.1959), Standing Female Nude, oil with acrylic and watercolour on paper, signed with initials, 44cm x 20cm, within a painted wood frame.**Please note that Artists Resale Rights may be payable on this lot | 250-350 |
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| 885 | Kerry Darlington (b.1974), "Abstract Mixed Colours", 21st century acrylic with resin on board, signed recto, titled Buckingham Fine Art label verso, 87cm x 87cm, within a painted wood frame. | 300-400 |
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| 886 | Hely Augustus Morton Smith, (1862-1941), "Looe to Rame Head" Cornwall, oil on canvas, signed and dated 1894 recto, titled artist's label verso, 64cm x 84cm, within a gilt composition frame. | 300-500 |
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| 887 | William Frederick Witherington (1785-1865), Landscape with Distant Mountains and Figures on a Road, early 19th century oil on canvas, signed, 75cm x 109cm, within a gilt composition frame. | 1500-2500 |
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| 888 | John Landon (fl.1798-1827), Landscape with Figures and Distant Coastline, early 19th century oil on canvas, signed, 65cm x 90cm, within a gilt frame. | 300-500 |
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| 889 | Nina Carroll (1932-1990), "The Old Vic", pen, ink and watercolour, signed, 17cm x 24cm, within a gilt frame. | 40-60 |
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| 890 | A sampler by Mary Clout with letters of the alphabet and numbers and verse in horizontal formation, enclosed in a floral border, dated 1772, 42cm x 30cm, within an ebonized frame. | 30-50 |
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| 891 | Walter Richard Sickert (British, 1860-1942), "Le Pollet, Dieppe", ink with watercolour, signed, titled and dated 1900, 27cm x 19.5cm, within a stained wood frame. Provenance: Private collection, USA before 1993; Christie's Modern British & Irish Art, 21st March 2018, lot no.109. | 1200-1500 |
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| 892 | Craig Davison (b.1965), "Can you feel the Force?", embellished colour print on canvas, signed and editioned 59/95 recto, titled Washington Green label verso, 60cm x 39cm, within a stained wood frame. | 150-200 |
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| 893 | Peter Newcombe (b.1943), "Little Oakley", watercolour, signed and dated 1989 recto, titled verso, 21cm x 29cm, within a gilt frame. | 50-80 |
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| 894 | John Clarkson Isaac Uren (1845-1932), Steeple Rock, Kynance Cove, Cornwall, late 19th/early 20th century watercolour, signed, 29cm x 22.5cm, within a gilt frame. | 40-60 |
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| 895 | Nora Spicer Unwin (1907-1982), "Coati Bears", wood-engraving on Japanese paper, signed, titled and editioned 6/50 in pencil recto, artist's label verso, 8cm x 11cm, within a painted wood frame. | 40-60 |
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| 896 | Thomas Callender Campbell Mackie (1886-1952), "The Green Door", 20th century pastel, signed recto, titled artist's label verso, 34cm x 47cm, within a gilt frame. | 100-200 |
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| 897 | Blanche Odin (1865-1957), Still Life with Roses, watercolour, signed, 36cm x 54cm, within a silvered frame. | 300-500 |
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| 898 | David James (1853-1904), "Fistral Bay, Cornwall", oil on canvas, signed recto, titled and dated 1900 verso, 29cm x 49cm, within a gilt composition frame. | 400-600 |
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| 899 | Blanche Odin (1865-1957), Still Life with Roses in a Vase, watercolour, signed, 36cm x 41cm, within a silvered frame. | 200-400 |
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| 900 | An 18th century needlework sampler "Wright’s map of Cornwall" by Mary Roberts of Truro, dated 1785 recto, label with further details verso, 37cm x 52cm, within an ebonized and gilt frame. Note: a rare single county sampler map worked at Miss Warren's Ladies Boarding School, the Green, Truro. Two other "Wright’s map of Cornwall" samplers are known, both bearing a Miss Warren's School inscription. | 200-400 |
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| 901 | James Gillray (1757-1815), "Patriotic Petitions on the Convention", etching with hand-colouring, probably from the McLean edition circa 1830, 29cm x 42cm, within a gilt frame. | 40-60 |
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