for our Antique, Fine Art and Collectables auction held on Wednesday 18th of June 2014
| Lot No | Description | Est | Image |
|---|---|---|---|
| 479 | Tricia Hardwick. Oil painting, a still life study, vase of flowers, stoneware jars and apples, signed and dated '93 11 1/2" x 15" | 50-80 |
|
| 480 | Bruce Yardi, oil painting, a contemporary study of the Grand Canal, signed, 12" x 20" | 300-500 |
|
| 481 | An Edwardian watercolour, a study of a street scene with a child looking into a shop window and figures in the background, unsigned 12" x 19 1/2" | 50-100 |
|
| 482 | An Edwardian watercolour, study of a sunset at lakeside scene with distant hills, unsigned 18" x 14 1/2" | 50-80 |
|
| 483 | Robert Capstick, oil painting, an Australian forest scene with pond, signed 10 1/2" x 9" | 50-80 |
|
| 485 | Edwardian oil painting. A study of a young lady with auburn hair, indistinctly monogrammed 23" x 19" | 100-150 |
|
| 486 | 20th Century oil painting, a maritime study of ships in choppy sea, unsigned, 19" x 25" | 50-80 |
|
| 489 | Edwardian watercolour, a rural view with a farm worker sitting on a log with 2 cattle and distant hills, unsigned 6 3/4" x 13 3/4" | 50-100 |
|
| 490 | G A Garceau, oil painting, a study of Duke Street in Padstow, signed 19 1/2" x 15 1/2" | 50-80 |
|
| 491 | 19th Century pastel drawing. A portrait study of a lady wearing a broad rimmed hat, unsigned 33" x 25" | 50-100 |
|
| 492 | Watercolour and highlights, maritime study of a three masted ship - The Sea King in choppy waters off an island, unsigned, 15" x 21 1/2" | 50-80 |
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| 493 | Terry Evans, watercolour, a rural study of farm buildings beside a river, signed 10" x 14" | 50-80 |
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| 494 | Mid 20th Century oil painting, an atmospheric study of buildings beside a water inlet, unsigned 20" x 29" | 50-100 |
|
| 495 | Edwardian watercolour, a river study with figures and a boat with distant hills, unsigned 10" x 21" | 50-80 |
|
| 496 | A Victorian oil painting, a naive winter scene with a lady walking across a bridge beside cottages and distant trees, unsigned 11 1/2" x 23 1/2" | 50-80 |
|
| 497 | An early 19th Century oil painting. An oval naive study of a young lady holding a basket on the steps of a country house garden, unsigned, 14 1/2" x 11 1/2" | 200-300 |
|
| 498 | Edwardian watercolour, a passageway leading to a moored boat, indistinctly signed 13 1/2" x 8 1/2" | 50-80 |
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| 499 | Edwardian watercolour, a study of a lady and 2 children in a country lane with geese, cottages and a distant windmill, unsigned, 10" x 13" | 50-100 |
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| 500 | 19th Century oil painting. Study of an extensive landscape view with figures and animals on a lane leading to a town, unsigned 12" x 15", stuck panel | 50-75 |
|
| 501 | Victorian watercolour, a study of 2 children sitting on a chaise longue, unsigned, framed in the oval in a gilt and velvet inset with tied ribbon gilt frame, 6.25" x 5" | 50-100 |
|
| 502 | Eduardo, limited edition coloured print, study of San Francisco 418/500, 7" x 9" signed in pencil | 30-50 |
|
| 503 | F Golden Short '92, oil painting, a Victorian sunset wooded landscape signed and dated 7 1/2" x 11 1/2" | 50-100 |
|
| 504 | Kenneth Walch, oil, a pointillist style contemporary study "Population Problem in a Square World" unsigned, label on verso, 24" x 24" | 500-800 |
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| 505 | Pellerin d'Epinal. A set of 4 woodblock prints, Napoleonic battle scene studies, re-strikes 18 1/2" x 24 1/2" | 120-150 |
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| 506 | T E Harris, oil painting on panel. A fine portrait study of The Queen of Wales seated on her Throne, unsigned, 17 3/4" x 13 3/4" | 200-400 |
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