for our Antique, Fine Art and Collectables auction held on Wednesday 26th of March 2014
| Lot No | Description | Est | Image |
|---|---|---|---|
| 418 | 19th Century oil painting on panel, study of a ravine with trees and distant cattle, unsigned 4" x 5.5" | 170-220 |
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| 419 | C S B, oil painting, a study of a seated violinist on panel signed 9.5" x 6" | 80-120 |
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| 420 | 1920's watercolours, a pair of stylish studies of Indian ladies in flowing dresses, unsigned 13" x 8.5" | 30-40 |
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| 421 | An early 20th Century oil painting, a study of a gentleman in a white shirt with braces, unsigned, oval 16" x 13" | 30-60 |
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| 422 | An early 20th Century oil painting, study of a bearded gentleman smoking a pipe, unsigned, oval 16" x 13" | 30-60 |
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| 423 | Hans Hoeffer, a photograph, a study of musicians inscribed photoworks "Music by Sunlight", unsigned 16" x 16" | 40-50 |
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| 424 | 20th Century etching, "Eton College The Cloister Pump", indistinctly signed 6 1/2" x 8" | 30-50 |
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| 425 | John Absolon 1858, watercolour, an extensive Dorset beach scene with figures, fisherfolk and children with distant buildings and harbour, signed and dated 13" x 27" | 80-120 |
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| 426 | 20th Century print, a study of Japanese children at play, monogrammed 10" x 30" | 40-60 |
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| 427 | C Lester, oil painting, an extensive Scottish Mountainous sunset view with cottages, signed 11" x 23" | 30-50 |
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| 428 | After Henry Spink, 20th Century photograph, an over painted study of a reclining girl, signed 12" x 17" | 30-50 |
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| 429 | Anne Edwards, oil painting, study of a fishing boat at St Ives, Cornwall, signed 9" x 13 1/2" | 15-30 |
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| 430 | An Edwardian watercolour. Study of a Doulton jug and fruit, unsigned 8" x 13 1/2" | 25-35 |
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| 431 | C C Budd, watercolour, a study of a Cornish beach scene with distant ships, signed 8" x 14 1/2" | 30-50 |
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| 432 | T Heart FSA, watercolour, a 19th Century view of an Italian coastal scene with figures in a foreground and a distant hillside town, signed 8" x 14 1/2" | 40-60 |
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| 433 | 19th Century oil painting, a naive study of a village with church, unsigned, 5 1/2" x 13 1/2" | 30-50 |
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| 434 | Alan Fearnley, a limited edition print "Winners Pitstop" 105/850, signed 7" x 10" | 20-40 |
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| 435 | Auguste Raffet, 19th Century lithograph heightened with colours "Napoleon Entering The Tuileries", inscribed on the reverse 4" x 8" | 50-80 |
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| 436 | David Shepherd, a limited edition coloured print "The Tigers of Bandhavgarh" 586/1000, signed in pencil 18" x 28" | 30-60 |
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| 437 | I C Ardagh 1895, watercolour, a good study of a country house with figures and a carriage and horses in an extensive landscape, signed and dated. The reverse inscribed Glynllivon with historical notes. 9" x 21" | 100-150 |
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| 438 | W A Frost, watercolours, study of a Victorian clergyman and his wife, inscribed The Reverend and Mrs Laysy 13 1/2" x 10", signed | 80-120 |
|
| 439 | 20th Century oil painting, a Continental riverscape with distant mountains, unsigned, 12" x 9 1/2" | 50-75 |
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| 440 | J Beekhout, oil paintings a pair, Dutch scenes, townscape with figures before buildings and a riverscape with boats and a distant church, signed 5 1/2" x 11" | 80-120 |
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| 441 | W Hunt, watercolour, a still life study of a snail shell amongst berries, signed and inscribed 5 1/4" x 7 1/4" | 50-100 |
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| 442 | 19th Century watercolour, a study of a country landscape with a figure and cart beneath trees, unsigned 7" x 9" | 30-50 |
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