for our Antique, Fine Art and Collectables auction held on Wednesday 27th of November 2013
| Lot No | Description | Est | Image |
|---|---|---|---|
| 627 | 19th Century watercolour, Grand Canal scene Venice, 6" x 9" | 30-50 |
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| 628 | A 19th Century oil painting on panel, study of a Continental interior scene with a seated gentleman 11" x 9" | 150-250 |
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| 629 | Georgina M de L'Aubiniere, exh.1880-1905, an early 20th Century watercolour on paper study of formal gardens, signed 9.5"h x 13.75"w | 200-250 |
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| 630 | Ray Evans RI, FSAI, 20th Century British School, watercolour on paper "The Custodian Tarquinia", an architectural study with figure in foreground, signed, 10.25"h x 8"w | 30-50 |
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| 631 | J F Webb, oil on canvas, maritime scene, study of ships before a town 18" x 17" | 150-250 |
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| 632 | G Herne Russell, watercolour drawing, study of grazing sheep with town and sea in distance 9" x 16" | 250-350 |
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| 633 | An early 19th Century engraving "The Seat of Pendock at Westram", late coloured 13"h x 16"w | 30-50 |
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| 635 | Sidney Pike, fl.1880-1901, an early 20th Century British School, watercolour on paper, study of Romney Marsh sheep grazing with shepherds in foreground, signed and dated 1915, 10"h x 13.75"w | 200-250 |
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| 636 | Roland Langmaid, etching of a beached 19th Century Man of War, signed in pencil, 9.5" x 12" | 200-300 |
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| 638 | Marjory Cox, British 1915-2003, "Barney" a pastel and chalk portrait of a dog, signed and dated 1966, feigned to oval 15"h x 11"w | 100-150 |
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| 639 | A pair of 1930's coloured prints, studies of ladies in mountainous landscapes, contained in fancy carved wood frames 40" x 19" | 30-50 |
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| 640 | Richard Harwood Kitchin 1963, oil painting, study of a Mexican landscape, signed and dated 15" x 19" | 100-150 |
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| 641 | H S H, 1885, oil paintings a pair, Continental town scapes with figures, monogrammed and dated 13" x 8 1/2" | 50-100 |
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| 642 | F A Smith, 20th Century British School, oil on canvas, study of a mounted huntsman upon a white stallion, signed, 7.75"h x 9.75"w | 40-60 |
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| 643 | David Shepherd, a coloured print, study of a gazelle, signed in pencil 8" x 6" and 1 other study of buffalo 6" x 9" | 40-80 |
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| 644 | Peter Newcombe, impressionist oil on canvas "Sunset Near Wappenham" 9" x 11" | 50-75 |
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| 645 | John Brosens, early 20th Century School, oil on canvas, a study of sailing barges in high seas, signed and dated 1927 15.5" x 21"w | 30-50 |
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| 646 | Frederick Dove Olgivie, watercolour, study of a country house with children in the garden 13" x 18.5" | 60-100 |
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| 647 | Van Gaard, abstract oils on board, monogrammed to bottom right hand corner 11" x 19" | 30-50 |
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| 648 | A 19th Century oil painting, study of a seated lady wearing a lace shawl 29 1/2" x 24 1/2" | 100-200 |
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| 649 | Arthur Suker, watercolour drawing, seascape study with seagulls and cliffs in distance 15" x 24" | 30-50 |
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| 650 | John Beer, op.1895-1915, 20th Century School, watercolour on paper, "The Fence After Valentines Champions, Fith Chase", study of a horse race with fallen horses in foreground, bears names of horses to bottom margin, 10"h x 14"w | 200-300 |
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| 651 | After George R Woolway, ARCA, British 1879-1961, 20th Century British School, red chalk on artists paper, 3 studies of female nudes, unsigned, 22"h x 29"h | 150-250 |
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| 652 | F Hill, 20th Century School, watercolour on paper "Stokesay Castle", an abstract landscape, signed and dated '78, 14.5"h x 21"w | 100-150 |
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| 653 | Jack Carter, watercolour drawing, still life study of flowers 8.5" x 7" | 50-100 |
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