for our Antique, Fine Art and Collectables auction held on Wednesday 5th of November 2014
| Lot No | Description | Est | Image |
|---|---|---|---|
| 533 | 19th Century oil on panel, an extensive country landscape with distant hills, unsigned, 5 1/2" x 11 1/2" | 50-80 |
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| 534 | 19th Century oil on canvas, a Continental allegorical study of figures in a woodland setting, unsigned, re-lined, unframed 20" x 15 1/2" | 80-120 |
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| 535 | In the manner of Francois Pascal Simon (Baron Gerard), oil on canvas, portrait of a lady holding a lute, unsigned, re-lined 28" x 23" | 5000-10000 |
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| 536 | Day, oils on canvas, a pair, a coastal bay with woodland and a river landscape, signed and inscribed 8 1/2" x 13" | 50-75 |
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| 537 | 19th Century oil on board, study of ladies and gentleman in a woodland setting, unsigned, 10" x 17" | 80-120 |
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| 538 | A watercolour drawing, downland scene with extensive downs, farm buildings in the distance, indistinctly signed HH ?, 10" x 15" | 50-80 |
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| 539 | H Marsh Custan, watercolour, a street scene in Morlair Bretagne, signed, inscribed and indistinctly dated 13 1/4" x 9 1/2" | 80-100 |
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| 540 | After Abraham Bloemert 1630, oil on canvas, a study of a young lady wearing a bonnet and red dress with a basket of roses, signed, dated and inscribed, re-lined 33" x 27" | 2000-4000 |
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| 541 | H J Bateman, watercolour drawing, study of the grave of Samuel Howes Thomas 12" x 18" | 50-80 |
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| 542 | Aligi Sassu, oil on canvas, an interior cafe scene with figures at tables, signed 15 3/4" x 19" | 2500-4500 |
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| 543 | Aligi Sassu, oil on canvas, an interior cafe scene with figures, signed 18" x 21 1/2" | 2500-4500 |
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| 544 | Early 20th Century oil on canvas, a Continental mountainous woodland path with a figure and goat and distant mountains, signed, 21" x 17 1/2" | 50-75 |
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| 545 | After Moorland, an 18th/19th Century coloured print "The Fishing Party" with blind proof stamp and signed in the margin Sidney E Wilson, 18" x 22" | 30-60 |
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| 546 | H J Bateman, watercolour drawing, study of a stream 20" x 13", some foxing, signed | 50-75 |
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| 547 | Edwardian oils on board, rural landscapes with figures beside a stream 19 1/2" x 11 1/2" | 50-80 |
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| 548 | Watercolour drawing, study of a country church with track 15" x 21", some foxing | 50-75 |
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| 549 | Aligi Sassu, a limited edition print, atmospheric study of horses, signed in pencil 20/200, 13" x 18" | 50-100 |
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| 550 | Aligi Sassu, a limited edition print, study of horses cavorting in the sea, signed in pencil 20/200 13" x 18" | 50-100 |
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| 551 | Aligi Sassu, a limited edition print, an atmospheric study of rearing horses, signed in pencil 10/200 132 x 17 1/5" | 50-100 |
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| 552 | Aligi Sassu, a limited edition print, an atmospheric study of a lady and landscape, signed in pencil 20/200 12 1/2" x 18" | 50-100 |
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| 553 | Aligi Sassu, a limited edition print atmospheric study of rearing horses, signed in pencil 20/200 18 1/2" x 13" | 50-100 |
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| 554 | A 18th Century map, study of Sussex with highlighted borders 5 1/2" x 8 1/2", ditto Sussex 8" x 10" | 100-150 |
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| 555 | A 18th Century map, Hampshire, Surrey and Kent 9" x 13", ditto Hampshire, Surrey and Kent 8" x 10" | 70-90 |
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| 556 | An 18th Century map Sussex 6" x 6" and a ditto map of Sussex by John Rogue 7" x 8" | 50-75 |
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| 557 | I Bruce, print, a 19th Century birds eye view of Brighton from the New Church including Marine Palace, engraved and published by I N O Bruce November 1839, 11" x 15 1/2" | 70-100 |
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