for our Antique, Fine Art and Collectables auction held on Wednesday 20th of November 2019
| Lot No | Description | Est | Image |
|---|---|---|---|
| 418 | A print "Chinook HC Mk Two No.7 Squadron Royal Air Force" with multiple signatures 30cm x 40cm | 40-60 |
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| 419 | Celia Read, watercolour signed, "The Way We Are Together XXIV" 51cm x 38cm | 30-40 |
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| 420 | A pair of 19th Century coloured engravings "The Rakes Progress" 35cm x 40cm | 50-75 |
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| 421 | A Victorian oil on canvas, unsigned, study of a boy feeding a terrier 29cm x 23cm | 80-120 |
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| 422 | Marcella Smith (1887-1963) watercolour, still life study of peony, 39cm x 49cm | 80-100 |
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| 423 | A mirrored print "Super Range Spitfire VB, Rolls Royce Merlin 45/46 of No.92 Squadron Royal Air Force 1941" with facsimile signatures 29cm x 44cm | 40-60 |
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| 424 | A 19th Century oil on board, lake side view with boat 19cm x 31cm | 40-60 |
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| 425 | R Colliard, oil on canvas signed, "En Provence Maussane" 23cm x 40cm | 50-75 |
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| 426 | A set of 5 19th Century coloured hunting prints "Bachelor's Hall 1, 2, 3, 4 and 5" 30cm x 38cm | 50-75 |
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| 427 | Louis Wain, a coloured print "The Naughty Puss" 45cm x 70cm | 50-75 |
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| 428 | John King, limited edition print no53/251, signed in pencil "The Chiddingfold Leconfield and Cowdray Fox Hounds Away From Alderbed Copse" 34cm x 50" | 40-60 |
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| 429 | Photograph "Derby 1913", J Woodland Fullwood, sports photographer Norwood, London - a photograph of the horses nearing the finishing line. This is the famous race where the race favourite crossed the line first but was later disqualified and the suffragette Emily Davison ran onto the course, 21cm x 51cm | 40-60 |
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| 430 | John Larder, print with multiple signatures, "Operation Chastise", 39cm x 52cm | 40-60 |
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| 431 | Continental, early 20th century, indistinctly signed, oil on canvas, country house, 64cm by 38cm | 100-150 |
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| 432 | Roger Fiaux, oil, on canvas, signed, riverscape, 45cm by 54cm | 100-150 |
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| 433 | 20th century, oil on canvas, indistinctly signed, riverscape 45cm by 65cm | 100-150 |
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| 434 | W J Palmer, watercolours signed, studies of Wimbledon Common 11.5cm x 19.5cm | 150-200 |
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| 435 | R Colliard, oil on canvas signed, a winter landscape with cottage 26cm x 54cm | 50-75 |
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| 436 | Charles Wuthrich (1875-1967), oil on board signed, a woodland scene, 32cm x 41cm | 100-150 |
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| 437 | Jill Bays, watercolour, still life study, 35cm x 52cm | 300-400 |
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| 438 | Robert Collinson, oil on board signed, study of a seated girl with a wicker basket and contents in a rural setting, 26cm x 20cm | 300-400 |
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| 439 | Elizabeth Parr, watercolour signed, "Teddybears Having a Picnic" 38cm x 55cm | 400-600 |
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| 440 | Dorothy Hutton, 1957, oil on board, Spanish village study 24cm x 33cm | 50-75 |
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| 441 | A Victorian woolwork panel of a young girl with dog and puppies in a mahogany frame 51cm x 43cm | 50-75 |
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| 442 | A Victorian wool work study of a seated lady with chicken in a rosewood frame 58cm x 48cm | 50-75 |
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