for our Antique, Fine Art and Collectables auction held on Wednesday 8th of October 2014
Lot No | Description | Est | Image |
---|---|---|---|
437 | G V Sherrif, watercolour drawing, study of an old mill North Wales, bears faded label to the reverse 17 1/2" x 26 1/2" | 100-150 | |
438 | Watercolour drawing, study of a country church with track 15" x 21", some foxing | 50-75 | |
439 | H J Bateman, watercolour drawings, study of a village with church, buildings and figure in distance ,signed,12" x 19" | 50-80 | |
440 | A 19th Century oil painting on canvas, study of a mountain lake with folly,unsigned, contained in a decorative gilt frame 7" x 9 1/2" | 40-60 | |
441 | A 19th Century English impressionist school oil painting on canvas, study of bay with fishing boats, monogrammed MC to bottom right hand corner 8" x 9 1/2" | 40-60 | |
442 | Russian School?, oil painting on canvas, study of a building by a mountain lake, indistinctly signed to middle bottom, 5" x 9" | 40-60 | |
443 | F Demel, Russian School, watercolour drawing, study of a church with village in distance 9" x 12", signed | 100-150 | |
444 | 19th Century watercolour, a study of a seated gentleman holding a scroll, unsigned 8 1/2" x 6 1/2" | 50-100 | |
445 | 19th Century oil painting on canvas, study of a middle eastern gentleman, unsigned, 9" x 7" | 50-80 | |
446 | H J Bateman, watercolour drawing, study of a stream 20" x 13", some foxing, signed | 50-75 | |
447 | A watercolour drawing, downland scene with extensive downs, farm buildings in the distance, indistinctly signed HH ?, 10" x 15" | 50-80 | |
448 | C Turner, an engraving, a 19th Century black and white engraving of George Stephenson, signed by the sitter on the mount in a maple walnut frame with gilt slip 12" x 9 1/4" | 50-100 | |
449 | H J Bateman, watercolour drawing, study of the grave of Samuel Howes Thomas 12" x 18" | 50-80 | |
450 | Richard Temple, oil painting on canvas, a 19th Century style study of a Continental town scape with figures, signed 19 1/2" x 15 1/2" | 100-150 | |
451 | A 19th Century silhouette, a study of a young lady with gilt highlights 8 1/4" x 6 1/4" | 50-75 | |
452 | M J Austin, oil painting on canvas, a 21st Century atmospheric study of a lady in a red dress sitting on a chair, label to verso 29" x 41" | 50-100 | |
453 | A Terence Cuneo print, "Bentleys at Le Mans 1929", unsigned 21" x 31" | 50-75 | |
454 | 20th Century posters, Chinese propaganda studies, dated 1967 and 1969, unsigned 14" x 9 1/2" | 30-60 | |
455 | 19th Century photograph, railway study, turntable at Horsham Station, unframed 15" x 20 1/4" | 50-75 | |
456 | 5 19th Century over painted portrait miniatures of a lady, gentleman and 3 girls, in gilt mounts and plush cases 3" x 2" | 50-80 | |
457 | 20th Century oil painting on board , a stylised still life study of fruit, vessels and a plant, unsigned, label on verso 29" x 29" | 50-100 | |
458 | Maurice Canning Wilks, (1910-1984), oil on canvas, landscape study "Muckish Mountain Nr Creeslough, County Donegal" signed, the reverse with John Magee gallery label, 4 Donegal Square, Belfast, 12" x 13 3/4" | 300-500 | |
459 | Maurice Canning Wilks, (1910-1984), impressionist oil on board "Cushendun Bay County Denton", signed, the reverse with John Magee gallery label, 4 Donegal Square, Belfast 12" x 14 1/2" Â | 600-800 | |
460 | Max MacCabe, oil painting on board, Irish landscape, study of a mountain river, signed, 9" x 11 1/2", the reverse with John Magee gallery label, Donegal Square, West Belfast | 100-150 | |
461 | Gladys MacCabe, 20th Century oil painting on canvas, study of an Irish landscape with croft, loch and distant mountains, signed, 6" x 9" Â | 100-150 |