for our Antique, Fine Art and Collectables auction held on Wednesday 4th of September 2013
| Lot No | Description | Est | Image |
|---|---|---|---|
| 953 | Late 19th Century School, watercolour and bodycolour on paper, a full length portrait of a gentleman wearing a brown suit and resting in a wheel chair, bears inscription to verso, unsigned, 9.5"h x 7.5"w | 30-50 |
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| 954 | A late 18th/early 19th Century Burmese? watercolour on silk, study of a seated deity together with a companion piece of a man receiving torture 10.5"h x 6.5"w | 40-60 |
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| 955 | Lesley Robert Baxter, early 20th Century British School, watercolour on paper, rural landscape of Lancing, with Lancing College and Chapel in distance, signed, 5.5"h x 9"w | 50-75 |
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| 956 | Lesley Robert Baxter, early 20th Century British School, watercolour on paper, rural downland landscape, signed 5.5"h x 8.75"w | 50-75 |
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| 957 | C Pearson, mid 19th Century British School, watercolour on paper, study of fisherman amongst a wooded river scape, signed and dated 1853 8.75"h x 13"w | 50-75 |
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| 958 | After H Alken, a series of 4 coloured hunting prints, titles include "Breaking Cover, Un-Kennelling, Full Cry and The Death" 7"h x 10.5"w | 40-60 |
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| 959 | After H Alken, 2 coloured prints of partridge shooting 8.5"h x 10.75"w | 30-50 |
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| 960 | After Boris O'Klein, a a comical coloured print "Sus au Curieux" signed in pencil 6.5"h x 17"w | 20-40 |
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| 961 | A late 19th/early 20th Century watercolour and cork montage depicting a romanticised landscape, unsigned 10"h x 16.5"w | 30-50 |
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| 962 | Georgina M de L'Aubiniere, exh.1880-1905, an early 20th Century watercolour on paper study of formal gardens, signed 9.5"h x 13.75"w | 250-300 |
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| 963 | Herbert H Greenwood, 20th Century watercolour on paper "Gone Away" a hunting scene of hounds and figures on horseback, signed 8"h x 12.5"w | 50-75 |
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| 964 | John Beer, op.1895-1915, 20th Century School, watercolour on paper, "The Fence After Valentines Champions, Fith Chase", study of a horse race with fallen horses in foreground, bears names of horses to bottom margin, 10"h x 14"w | 250-300 |
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| 965 | John Vivian Roberts, British 1923-2003, monochrome print study of a street vendor selling kites, signed in pencil and dated 1966, 30"h x 19.5"w | 30-50 |
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| 966 | G A Day, 20th Century School, oil on board, rural wooded landscape with river in foreground, signed, 24"h x 35" | 50-75 |
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| 967 | After Gustav Klimt, a screen print "The Kiss" within a giltwood frame, 32"h x 19.5"w | 50-100 |
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| 968 | An Iranian wool work panel depicting a hunting scene 24" x 26" | 130-180 |
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| 969 | W Raymond Holmes, mid 20th Century British School, oil on canvas, abstract study of The Menora, bears inscription to verso, commissioned by Mr Lionel Davidson 1964, 54"h x 30"w, unframed | 80-120 |
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| 970 | Sidney Pike, fl.1880-1901, an early 20th Century British School, watercolour on paper, study of Romney Marsh sheep grazing with shepherds in foreground, signed and dated 1915, 10"h x 13.75"w | 250-300 |
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| 971 | L S Lowry, a folio containing 3 limited edition prints, titles include "The Artists Mother, The Artists Father and Self Portrait", all signed in pencil to bottom right hand margin, 161/300, 12"h x 9.5"w together with a limited edition Morris Singer Foundry bronze medallion with a profile portrait of L S Lowry 161/300, cased, 5"diam. | 300-500 |
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| 972 | Geoffrey Sparrow, a signed coloured print, study of the Crawley & Horsham Fox Hounds at Cisswood, 1958 10" x 14.5" | 40-60 |
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| 973 | Geoffrey Sparrow, a signed coloured print, study of the Crawley & Horsham Fox Hounds "Below The Brook Cowfold" 10" x 15" | 40-60 |
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| 974 | John Brosens, early 20th Century School, oil on canvas, a study of sailing barges in high seas, signed and dated 1927 15.5" x 21"w | 80-120 |
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| 974 | After J F Herring Snr. A coloured hunting print "Herrings Fox Hunting Scenes, Plate 2, entitled Breaking Cover" 13"h x 24"w | 30-50 |
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| 974 | A set of 4 reproduction Military coloured prints of officers 12.5"h x 10"w | 30-50 |
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| 975 | After Alan Fearnley, a limited edition coloured print "Lords Cricket Ground" celebrating the Ashes Centenary with various signatures to lower margin including Mike Gatting and others 535/850, 17"h x 23"w | 80-120 |
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