for our Antique, Fine Art and Collectables auction held on Wednesday 6th of September 2017
| Lot No | Description | Est | Image |
|---|---|---|---|
| 401 | Edwardian oil on canvas, monogrammed, inscribed on verso Beech Trees Blenheim 15" x 23 1/2" | 100-150 |
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| 402 | H Tomlinson, watercolour signed, desert scene with camels and figures and distant buildings 9 1/2" x 23 1/2" | 40-60 |
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| 403 | B Aspinall, '93, oil on canvas signed, still life study of fruits 22" x 16" | 100-150 |
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| 404 | Pierre Vidal 1899 coloured print, group of ladies and gentleman watching dancers 10" x 12 1/2" | 40-60 |
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| 406 | Ainley, watercolour signed, a village scene with figures, Ashtead Surrey 11 1/2" x 15" | 140-180 |
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| 407 | V Sprawling, mixed media, signed and dated '98, 'One November Morning - 2nd Battalion Royal Sussex Regiment Storming the Locke House, 4th November 1918' with label on verso 11" x 16" | 40-60 |
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| 408 | After Titian, a 19th Century Italian oil on canvas, The Madonna and Child with the infant Saint John the Baptist and Saint Anthony Abbot, marked to the reverse 8 Piazza S Gove Firenze, Azzolino Follini-copio dall originole, Galleria Uffizi, Zizicumo La Vergine col Figlio, S. Giourrnimo J.Antonio, 26 1/2" x 37 1/2" contained in a gilt frame | 500-800 |
|
| 409 | Richard W Orr, gouache, signed, extensive Cornish coastal scene, unframed 19 1/2" x 39" | 90-120 |
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| 410 | Richard W Orr, gouache, signed, a study of dormice 12 1/2" x 9 1/2" | 90-120 |
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| 411 | Miller, watercolour, signed, figures in a Sussex countryside 13" x 20" | 50-75 |
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| 412 | Richard W Orr, gouache, signed, study of a scarlet Macaw 11" x 9" | 60-80 |
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| 413 | H L Gray, watercolour, signed, study of a country house 7" x 9 1/2" | 40-60 |
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| 414 | 19th Century oil on panel, unsigned, a rocky ravine with stream and distant cattle 4" x 5 1/2" | 140-180 |
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| 415 | Victorian print, studies of angels - two as one in an arched gilt slip 4 1/2" x 2" | 40-60 |
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| 416 | E S Cheeswright, watercolour, signed, an English coastal view 11" x 17" | 30-50 |
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| 417 | 20th Century print, study of a semi-clad lady 26" x 26" | 40-60 |
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| 418 | Edward Burne-Jones, black and white print signed in pencil "O Espelho De Venus" 16 1/2" x 23" | 100-150 |
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| 420 | Caro, oil on board, Continental beach scene with figures, signed 7 1/2" x 9 1/2" | 40-60 |
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| 421 | E Earp, watercolour, signed, lake view with boats and distant mountains 6 1/2" x 11 1/2" | 30-50 |
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| 422 | A share certificate - The Buffalo Hamburg and Aurora Railway Company 5% Gold Mortgage Bond, framed, dated 1900 23 1/2" x 17 1/2" | 30-50 |
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| 423 | Henry Boatwright, oil on board, signed, extensive country landscape with figures gathering crops 16" x 28" | 50-100 |
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| 424 | Henry Boatwright, oil on board, signed, study of figures collecting a harvest 16" x 27 1/2" | 50-75 |
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| 425 | 19th Century continental script, 2 framed as 1, 20" x 7" | 30-50 |
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| 426 | W P Hodges, coloured engravings "Hare Hunting" plate 1 and plate 2, 16" x 23" | 50-75 |
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| 427 | Sir William Russell Flint, a print, reclining semi-clad lady, limited edition 219/750 11 1/2" x 21" | 60-80 |
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