for our Antique, Fine Art and Collectables auction held on Wednesday 12th of September 2018
| Lot No | Description | Est | Image |
|---|---|---|---|
| 410 | After William Hamilton RA, a set of 4 limited edition signed coloured engravings "November, January, April and one other", the reverses with Messrs J Howell and Company labels 32cm x 27cm oval, contained in decorative gilt frames with blind proof stamps | 80-120 |
|
| 411 | After William Morris, a floral tapestry panel 54cm x 52cm contained in a walnut effect frame | 40-60 |
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| 412 | After Turner, a 19th Century oil on canvas, mountain landscape with figures and a 3 arched bridge 90cm x 119cm | 50-80 |
|
| 413 | Watercolour drawing, "Rural Pastimes", study of a couple playing hide and seek by a tree, label to the reverse marked Liniacke James Lawlor Prize for drawing 1873 26cm x 35cm | 100-150 |
|
| 414 | P S Rodgers, 19th Century oil on canvas, signed to the bottom left hand corner, rural scene with figure driving sheep, unframed, 41cm x 51cm | 100-150 |
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| 415 | Oil on canvas, study of a thatched cottage with highland cattle being driven 19cm x 30cm, contained in a decorative gilt frame | 40-60 |
|
| 416 | L E Reed, pencil drawing, study of harbour with figures and buildings in the distance, signed and dated 1839 and marked to the reverse 17cm x 25cm | 40-60 |
|
| 417 | J Chalmers, an Edwardian watercolour drawing, rural scene with trees and cottages in the distance, signed twice and dated 1905 44cm h x 59cm, contained in a decorative gilt frame | 50-75 |
|
| 418 | Charles Smith, impressionist oil on board, study of a river with arched bridge and church in the distance, 17cm x 22cm contained in a decorative gilt frame | 50-80 |
|
| 419 | George E Hill, oil on board, "Chaney Row" the reverse with Chelsea Arts Society label signed 34cm x 24cm | 60-90 |
|
| 420 | William Lionel Wyllie RA (1851-1931) a drypoint artists proof etching "The Fourth Bridge" 18cm x 39cm, the reverse with Robert Dunthorne and Sons label | 70-100 |
|
| 421 | J M Hilson, a pair of 19th Century watercolour drawings, shrimping scene with cart and rocky outcrop in distance and St Michaels Mount, both signed 17cm x 34cm | 150-200 |
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| 422 | A pair of 1920's watercolour drawings, studies of ladies hats 31cm x 23cm | 40-60 |
|
| 423 | An 18th Century watercolour drawing, rural scene driving cows through a ford 32cm x 24cm | 70-100 |
|
| 424 | Eileen Maskell, oil on board signed, "Across The Fields Dunwich" 15cm x 24cm | 40-60 |
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| 425 | A pair of Bartolozzi prints, study of children with mother, contained in an oval frame with blackened mounts 39cm x 33cm | 40-60 |
|
| 426 | A 19th Century oil on canvas, study of a mountain with figures walking 23cm x 29cm | 40-60 |
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| 427 | Martin Gwilt Jolley (1859-1916) oil on canvas, "Anacapri" Mediterranean scene with figures before a church 50cm x 35cm contained in an oak frame | 400-600 |
|
| 428 | Mary S Hagarty, watercolour, "The San Francesco Gate Assisi" 25cm x 26cm, the reverse with Coronation Exhibition 1911 label | 100-200 |
|
| 429 | O Schultz, 20th Century Russian school, oil on board, harbour scene with boats 39cm x 50cm contained in a decorative gilt frame | 50-75 |
|
| 430 | Stannard, oil on canvas, unsigned rural scene with country cottage and chickens 28cm x 44cm contained in a gilt frame | 120-150 |
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| 432 | Richard W Orr, gouache, study of a puffin fishing 23cm x 29cm | 200-250 |
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| 433 | Richard W Orr, gouache signed, study of 3 puffins 21cm x 33cm | 180-220 |
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| 434 | A pair of Bartolozzi style prints "The Warrener and The Thatcher" with gilt black mounts and gilt frames 46cm x 55cm | 40-60 |
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| 435 | An early 19th Century oval miniature watercolour on ivory of a gentleman wearing a blue jacket, the reverse with in memorium hair locket 8cm x 6cm | 200-300 |
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