for our Antique, Fine Art and Collectables auction held on Wednesday 25th of February 2026
| Lot No | Description | Est | Image |
|---|---|---|---|
| 768 | After Sir Thomas Lawrence (1769-1830), Portrait of Sarah Garay Copley (nee Brunsden), Lady Lyndhurst, 19th century oil on board, 20cm x 17cm, within a gilt composition frame. | 50-80 |
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| 769 | A sampler by Charlotte Harris "aged nine years" with letters of the alphabet and numbers in horizontal formation to the top with lines of crowns and coronets beneath, above a central panel of religious verse, enclosed in a floral border, dated 1844 Cromer, 41cm x 32cm, within a Hogarth style frame, together with another sampler by Rebecca Mason "aged nine years", dated 1878. | 80-120 |
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| 770 | John Deschamps, "The Galle-face Esplenade, from Middleburg Counterguard", "Colpitty, from the Cinnamon Gardens", "The Lake of Kandy", three stone lithographs with hand-colouring, published for "Scenery and Reminiscences of Ceylon" by Ackermann & Co 1845, each 22cm x 32cm, all within matching painted wood and gilt frames. Note: "Scenery and Reminiscences of Ceylon" was an important and ambitious survey of mid-19th century Sri Lanka, where Deschamps spent nine years as an officer in the Royal Artillery | 250-350 |
|
| 771 | George Morland (British, 1763-1804), Droving Cattle in a Landscape with hilltop House and Horses, Donkeys, Dogs and Figures in a Landscape near a Cottage, a pair of 18th century pencil drawings on laid paper, The Tolley Gallery stamps verso, each 17cm x 29cm, both within stained oak wood frames. | 80-120 |
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| 772 | Peter Gilman (British, 1928-1984), "Neiljan of Maldon, Snape", 20th century oil on board, signed recto, titled verso, 22cm x 29cm, within a painted and gilt frame. | 40-60 |
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| 773 | John Bluck, after Augustus Pugin, "Magpie Lane", aquatint with hand-colouring, published by Ackermann 1813, 29cm x 22cm, within a stained wood frame. | 30-40 |
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| 774 | Peter Gilman (British, 1928-1984), "Wells, Norfolk", 20th century watercolour, signed recto, titled verso, 13cm x 18cm, within a stained wood and gilt frame. | 40-60 |
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| 775 | John Hall Thorpe (1874-1947), Bluebell Wood, woodcut in colours, signed in pencil, 19cm x 17cm, within an ebonized frame. | 50-75 |
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| 776 | Paul Gauci (fl.1834-1866), after Charles Robert Leslie, Arthur Wellesley, 1st Duke of Wellington, lithograph with hand-colouring, 35cm x 22cm. | 30-50 |
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| 777 | Robert Havell, after James Baillie Fraser (1783-1856) "A View of the Botanic Garden House and Reach" (Kolkata, India), engraving with aquatint and hand-colouring, published for "Views of Calcutta and its environs, from drawings Executed by James B. Fraser, Esq. From Sketches made on the Spot" by Rodwell and Martin 1824-1826, 32cm x 46cm, within a stained wood frame. | 200-400 |
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| 778 | Alexis van Hamme (Belgian, 1818-1875), "The Letters" (A Lady in an Interior Setting reading a Letter with a Spaniel at her Feet and a Cittern on the wall beyond), oil on panel, signed and dated 1874 recto, Christie's stencil and titled label verso, 55cm x 44cm, within a gilt composition frame with foliate strapwork and centre and corner crestings. Provenance: Christie's 12th June 1996, lot no.214. | 300-500 |
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| 779 | **Arthur Easton (1939-2024), Abstract with Figure, Bird and Plant in a Landscape, oil on canvas, signed and dated 1986, 71cm x 66cm. ** Please note, Artists Resale Rights may be payable on this lot | 150-250 |
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| 780 | After John Frederick Herring Senior (1795-1865), Fores's National Sports: Racing, A False Start, The Run In, Returning to Weigh, four restrike engravings with hand-colouring, each 45cm x 73cm, all within matching gilt frames. | 50-75 |
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| 781 | Circle of Thomas Hargreaves (1775-1846), Miniature Portrait of a Gentleman wearing a Black Jacket and White Stock, 19th century watercolour on ivory, 9cm x 7cm, within an ebonized frame. Ivory Exemption Certificate WMYA92AL | 60-90 |
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| 782 | George Walker of Liverpool, Miniature Portrait of a Gentleman in Profile wearing a Black Jacket and Stock, 19th century watercolour on card, 8.5cm x 7cm, within an ebonized frame. | 50-80 |
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| 783 | Circle of John Miers (British, 1756-1821), Miniature Portraits of Mr M. Hodgson and Mrs B.W. Hodgson, a pair of late 18th/early 19th century reverse painted on glass silhouettes, both titled verso, each 9cm x 7cm, both within gilt composition frames. | 60-90 |
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| 784 | Moritz Krantz (German, 1812-1869), Miniature Portraits of a Boy and Girl, a pair of 19th century enamels on porcelain, both signed, each 11.5cm x 9cm, both within gilt composition frames. | 100-200 |
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| 785 | Arthur Rackham (British, 1867-1939), Full Length Portrait of a Gentleman, pen with ink, 15cm x 9cm, within a wooden frame. Provenance: Abbott and Holder, stock no. 47529. | 360-440 |
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| 786 | Garman Morris (British, 1860-1935), Evening on the Medway, watercolour with gouache, signed and titled, 28cm x 70cm, within a gilt frame. | 50-70 |
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| 787 | A Beardsley, British School, Moonlit Beach Landscape, 20th century oil on canvas, indistinctly signed, 39cm x 80cm, within a gilt frame. | 50-70 |
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| 788 | Mellinger, British School,? Landscape with Pond and Trees, 20th century oil on board, artists name and dated 1927 to label verso, 44cm x 80cm, within a gilt frame. | 40-60 |
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| 789 | Thomas Rowlandson (British, 1756-1827), "The Refreshment", "The Dinner" and "The Death of the Fox", three etchings with aquatint and hand-colouring on laid paper, published by J. Harris 1787, each 39cm x 51cm, all within matching gilt frames. | 80-120 |
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| 790 | Frank Sherwin (British, 1896-1985), Railway Bridge over the Medway, with Rochester Castle, Kent, 20th century watercolour, signed, 31cm x 43cm, within a painted wood frame. | 80-120 |
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| 791 | Alan Furneaux (British, b.1953), Moonlit View over the Mount with Penzance Fishing Boat, oil on canvas, signed recto, inscribed verso, 36cm x 46cm, within a painted wood frame. | 300-500 |
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| 792 | Alan Furneaux (British, b.1953), Newlyn Harbour Scene under Moonlight, oil on canvas, signed recto, titled verso, 38cm x 38cm, within a painted wood frame. | 300-500 |
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