Denhams Auction Catalogue

for our Antique, Fine Art and Collectables auction to be held on Wednesday 25th of February 2026

Lot No Description Est Image
768 After Sir Thomas Lawrence (1769-1830), Portrait of Sarah Garay Copley (nee Brunsden), Lady Lyndhurst, 19th century oil on board, 20cm x 17cm, within a gilt composition frame. 50-80
769 A sampler by Charlotte Harris "aged nine years" with letters of the alphabet and numbers in horizontal formation to the top with lines of crowns and coronets beneath, above a central panel of religious verse, enclosed in a floral border, dated 1844 Cromer, 41cm x 32cm, within a Hogarth style frame, together with another sampler by Rebecca Mason "aged nine years", dated 1878. 80-120
770 John Deschamps, "The Galle-face Esplenade, from Middleburg Counterguard", "Colpitty, from the Cinnamon Gardens", "The Lake of Kandy", three stone lithographs with hand-colouring, published for "Scenery and Reminiscences of Ceylon" by Ackermann & Co 1845, each 22cm x 32cm, all within matching painted wood and gilt frames. Note: "Scenery and Reminiscences of Ceylon" was an important and ambitious survey of mid-19th century Sri Lanka, where Deschamps spent nine years as an officer in the Royal Artillery 250-350
771 George Morland (British, 1763-1804), Droving Cattle in a Landscape with hilltop House and Horses, Donkeys, Dogs and Figures in a Landscape near a Cottage, a pair of 18th century pencil drawings on laid paper, The Tolley Gallery stamps verso, each 17cm x 29cm, both within stained oak wood frames. 80-120
772 Peter Gilman (British, 1928-1984), "Neiljan of Maldon, Snape", 20th century oil on board, signed recto, titled verso, 22cm x 29cm, within a painted and gilt frame. 40-60
773 John Bluck, after Augustus Pugin, "Magpie Lane", aquatint with hand-colouring, published by Ackermann 1813, 29cm x 22cm, within a stained wood frame. 30-40
774 Peter Gilman (British, 1928-1984), "Wells, Norfolk", 20th century watercolour, signed recto, titled verso, 13cm x 18cm, within a stained wood and gilt frame. 40-60
775 John Hall Thorpe (1874-1947), Bluebell Wood, woodcut in colours, signed in pencil, 19cm x 17cm, within an ebonized frame. 50-75
776 Paul Gauci (fl.1834-1866), after Charles Robert Leslie, Arthur Wellesley, 1st Duke of Wellington, lithograph with hand-colouring, 35cm x 22cm. 30-50
777 Robert Havell, after James Baillie Fraser (1783-1856) "A View of the Botanic Garden House and Reach" (Kolkata, India), engraving with aquatint and hand-colouring, published for "Views of Calcutta and its environs, from drawings Executed by James B. Fraser, Esq. From Sketches made on the Spot" by Rodwell and Martin 1824-1826, 32cm x 46cm, within a stained wood frame. 200-400
778 Alexis van Hamme (Belgian, 1818-1875), "The Letters" (A Lady in an Interior Setting reading a Letter with a Spaniel at her Feet and a Cittern on the wall beyond), oil on panel, signed and dated 1874 recto, Christie's stencil and titled label verso, 55cm x 44cm, within a gilt composition frame with foliate strapwork and centre and corner crestings. Provenance: Christie's 12th June 1996, lot no.214. 300-500
779 **Arthur Easton (1939-2024), Abstract with Figure, Bird and Plant in a Landscape, oil on canvas, signed and dated 1986, 71cm x 66cm. ** Please note, Artists Resale Rights may be payable on this lot 150-250
780 After John Frederick Herring Senior (1795-1865), Fores's National Sports: Racing, A False Start, The Run In, Returning to Weigh, four restrike engravings with hand-colouring, each 45cm x 73cm, all within matching gilt frames. 50-75
781 Circle of Thomas Hargreaves (1775-1846), Miniature Portrait of a Gentleman wearing a Black Jacket and White Stock, 19th century watercolour on ivory, 9cm x 7cm, within an ebonized frame. Ivory Exemption Certificate WMYA92AL 60-90
782 George Walker of Liverpool, Miniature Portrait of a Gentleman in Profile wearing a Black Jacket and Stock, 19th century watercolour on card, 8.5cm x 7cm, within an ebonized frame. 50-80
783 Circle of John Miers (British, 1756-1821), Miniature Portraits of Mr M. Hodgson and Mrs B.W. Hodgson, a pair of late 18th/early 19th century reverse painted on glass silhouettes, both titled verso, each 9cm x 7cm, both within gilt composition frames. 60-90
784 Moritz Krantz (German, 1812-1869), Miniature Portraits of a Boy and Girl, a pair of 19th century enamels on porcelain, both signed, each 11.5cm x 9cm, both within gilt composition frames. 100-200
785 Arthur Rackham (British, 1867-1939), Full Length Portrait of a Gentleman, pen with ink, 15cm x 9cm, within a wooden frame. Provenance: Abbott and Holder, stock no. 47529. 360-440
786 Garman Morris (British, 1860-1935), Evening on the Medway, watercolour with gouache, signed and titled, 28cm x 70cm, within a gilt frame. 50-70
787 A Beardsley, British School, Moonlit Beach Landscape, 20th century oil on canvas, indistinctly signed, 39cm x 80cm, within a gilt frame. 50-70
788 Mellinger, British School,? Landscape with Pond and Trees, 20th century oil on board, artists name and dated 1927 to label verso, 44cm x 80cm, within a gilt frame. 40-60
789 Thomas Rowlandson (British, 1756-1827), "The Refreshment", "The Dinner" and "The Death of the Fox", three etchings with aquatint and hand-colouring on laid paper, published by J. Harris 1787, each 39cm x 51cm, all within matching gilt frames. 80-120
790 Frank Sherwin (British, 1896-1985), Railway Bridge over the Medway, with Rochester Castle, Kent, 20th century watercolour, signed, 31cm x 43cm, within a painted wood frame. 80-120
791 Alan Furneaux (British, b.1953), Moonlit View over the Mount with Penzance Fishing Boat, oil on canvas, signed recto, inscribed verso, 36cm x 46cm, within a painted wood frame. 300-500
792 Alan Furneaux (British, b.1953), Newlyn Harbour Scene under Moonlight, oil on canvas, signed recto, titled verso, 38cm x 38cm, within a painted wood frame. 300-500