for our Antique, Fine Art and Collectables auction to be held on Wednesday 15th and Thursday 16th of July 2026
| Lot No | Description | Est | Image |
|---|---|---|---|
| 855 | Frederick Percy Graves (1837–1903), "Brook, North Wales" (possibly Wych Brook), 19th century oil on canvas, signed recto, titled label verso, 39cm x 59cm, within a gilt composition frame. | 80-120 |
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| 856 | Peter Newcombe (b.1943), "Autumn near Hanging-Houghton, Northamptonshire", watercolour with gouache, signed and dated 1972, 38cm x 56cm, within a gilt frame. | 50-75 |
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| 857 | Christian Delphin Wexelsen (1830-1883), Norwegian Landscape with Cottage beside a Lake, 19th century oil on canvas, inscribed verso, 14cm x 18cm, within a gilt composition frame. | 80-120 |
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| 859 | James Taylor, River Landscape, 19th century oil on board, signed and dated '81, 24cm x 34cm, within a gilt composition frame. | 60-90 |
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| 860 | A George III oval silkwork picture of the Finding of Moses, circa 1800, worked in coloured and metallic threads, the figures with hand tinted features, 36cm x 40cm, within a verre eglomise mount and gilt composition frame. | 60-90 |
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| 861 | Ernest Henri Griset (1844-1907), A Foxhound Watering at a River, 19th century watercolour, signed, 23cm x 31cm, within a gilt frame. | 40-60 |
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| 862 | Edwin Hayes (1819-1904), Coastal Landscape, probably St Catherine's Island, Tenby, Wales, 19th century oil on canvas, Christie's stencils verso, 28cm x 48cm, within a gilt composition frame. | 300-500 |
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| 863 | Colin David Kent (b.1934), Moonlit Cottages, late 20th/early 21st century mixed media with oil, acrylic and ink on paper, signed, 40cm x 39cm, within a silvered frame. | 50-75 |
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| 864 | Peter Newcombe (b.1943), "The Bridge, Evening", oil on canvas, signed and dated 1973, 44cm x 54cm, within a gilt frame. | 60-100 |
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| 865 | Royal British Legion award certificate commemorating the service of their president, Wing Commander Charles Edwin Channing A.F.C., 38cm x 30cm, within a gilt frame. | 30-40 |
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| 866 | **Stanley Roy Badmin (British, 1906-1989), "February (for Shell)", watercolour with ink on paper, signed recto, label verso, 17.5cm x 22cm, within a silvered frame. Note: this work was illustrated in The Shell Guide to Trees and Shrubs published by Phoenix House, London, 1958. Provenance: The Shell Collection of Modern British Paintings, Sotheby's, 4th July 2002, lot 4. **Please note that Artists Resale Rights will be payable on this lot | 1000-1500 |
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| 867 | **Alfred Egerton Cooper (British, 1883-1974), "Benchams", watercolour with gouache, signed, 36cm x 27.5cm, within a gilt frame with affixed titled plaque.**Please note that Artists Resale Rights may be payable on this lot Note: Benchams is a substantial country house estate situated between the hamlets of Burrow and Southerton in South Devon. Built in 1906 for Willoughby Statham Smith, the successful undersea telegraphic cable entrepreneur, it remained his home until 1946. Cooper is known to have also painted a portrait of Smith in his study at Benchams. | 80-120 |
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| 868 | **Cuthbert Fraser Hamilton (British, 1885-1959), Reclining Figure Studies, pastel with pencil, 25.5cm x 15cm, within a painted wood frame. Provenance: The Court Gallery, Somerset; the artist's estate.**Please note that Artists Resale Rights may be payable on this lot | 200-300 |
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| 869 | Mary Ann Mannin nee Millington (c.1800-1864), Portrait of John Hancox (1792-1839), watercolour, signed recto, inscribed verso, 21cm x 17cm, within a Rosewood frame. | 40-60 |
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| 870 | British School, Child with a Flute in a Landscape with a Collie Dog, 19th century watercolour, inscribed "Sophia Western" verso, 20cm x 17cm, within a gilt composition frame. | 50-80 |
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| 871 | Arthur William Redgate (1860-1906), "Attenborough, near Nottingham", oil on canvas, signed and dated 1880 recto, titled verso, within a gilt composition frame. | 100-200 |
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| 872 | Richard Henry Nibbs (c.1816-1893), "On the Ouse", 19th century watercolour, signed and titled, 37cm x 55cm, within a gilt frame. | 150-200 |
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| 873 | Dutch School, Cattle watering and Shipping on a River, 19th century watercolour with gouache, 45cm x 58cm, within a gilt composition frame. | 50-75 |
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| 874 | Anker Landberg (1916-1973), Fishermen mending Nets, 20th century lithograph in colours, signed and editioned 15/22 in pencil, 43cm x 60cm, within a stained wood frame. | 50-70 |
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| 875 | William Adolphus Knell (1805-1875), A Frigate and other Shipping in a rough Sea, 19th century oil on canvas, signed recto, Christie's stencil verso, 49cm x 74cm, within a gilt composition frame. Provenance: Christie's 17th June 1983 lot no.152; Christie's 17th February 1984, lot no.16. | 500-800 |
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| 876 | William G. Whittington (act.1904-1914), Maritime Scene with several Sailing vessels in a stiff breeze near a Harbour Pier with Lighthouse, 19th century watercolour, signed, 27cm x 76cm, within a gilt frame. | 500-700 |
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| 877 | Robert Morden, "Hampshire" (Map of the County), 18th century engraving with hand-colouring on laid paper, 36cm x 42cm, within an ebonized frame. | 30-40 |
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| 878 | Eugene Demester (1914-1984), "Pays de Caux, France", 20th century oil on canvas, signed, 25.5cm x 33m, within a swept gilt composition frame. | 60-90 |
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| 879 | Wilhelmina Barnes-Graham (British, 1912-2004), "Nocturne", oil on paper laid onto board, signed and dated 1961 recto, titled, further dated 1962 and inscribed with artist's address verso, 25.5cm x 34cm, within a painted wood frame. Provenance: Alan Wheatley Art; David Lay, 30th July 2009. | 3000-5000 |
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| 880 | Joseph Arthur Palliser Severn (1842-1931), "A Volunteer Camp on Wimbledon Common", watercolour, signed and dated 1868, 19.5cm x 29.5m, within a gilt frame. Provenance: Sotheby's, 18th December 1980, lot no.42. | 300-500 |
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