for our Antique, Fine Art and Collectables auction to be held on Wednesday 9th and Thursday 10th of September 2026
| Lot No | Description | Est | Image |
|---|---|---|---|
| 840 | Robert Hills (1769-1844), Cattle in a Landscape near a Priory, etching, 17cm x 21cm, within a gilt frame. | 40-60 |
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| 841 | Frederick William Rose (1849-1915), "Angling in Troubled Waters - A Serio-Comic Map of Europe", chromolithograph, published by G.W. Bacon 1899, 52cm x 72cm, within a stained wood frame. Note: A celebrated anthropomorphic comic map summarising the political landscape and expansionist aspirations of the European powers at the end of the nineteenth century, Tsar Nicholas II of Russia looming largest. | 300-500 |
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| 842 | Snaffles (Charles Johnson Payne) (British, 1884-1967), "Farmers Dinner", offset lithograph dinner menu, published 1938, 26cm x 36cm, within an ebonised wood frame. | 40-60 |
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| 843 | After Thomas Palsar, A Meeting of Free Masons, seven 20th century colour prints, each 21cm x 31cm, all within matching ebonised and silvered frames. | 40-60 |
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| 844 | John Henderson (1764-1843), Alpine River Landscape, watercolour with monochrome wash, labels verso, 9cm x 14cm, within a gilt frame, together with a similar watercolour by the same hand. | 50-75 |
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| 845 | William Page (1794-1872), Italian Landscape with Figures Fishing, watercolour with monochrome wash, 6.5cm x 10cm, within a gilt frame. | 40-60 |
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| 846 | James Poole (1804-1886), "Cottages at Corrie, Isle of Arran", 19th century oil on canvas, signed recto, titled label verso, 40cm x 54cm, within a gilt composition frame. | 100-200 |
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| 847 | Attributed to William James Muller (1812-1845), Haggling in the Bazaar, 19th century oil on panel, 43cm x 35cm, within a bird's eye maple frame. Note: this may be a preliminary study for the painting sold by Christie's on 16th March 2017, lot no. 116. | 200-400 |
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| 848 | Edward Lear (1812-1888), "A Street Scene in Vevey, Switzerland", watercolour, inscribed and dated 1837, 28cm x 18cm, within a stained wood frame. Provenance: Christie's 8th July 1997, lot no.76. Note: Executed during Edward Lear's first journey to Italy in 1837, the present watercolour belongs to a pivotal period in the artist's career, when his reputation as a topographical draughtsman was rapidly becoming established. Leaving London in July, Lear journeyed through Belgium, Luxembourg and Germany before passing through Vevey, on the northern shore of Lake Geneva, en route to Rome, where he arrived in December. Situated at the mouth of the Veveyse Valley beneath Mont Pélerin, Vevey offered Lear a striking combination of Alpine scenery and expansive views across Lake Geneva. Although almost certainly begun on the spot, the present work was subsequently developed into a highly finished watercolour, representative of the carefully resolved exhibition watercolours that characterised Lear's early career. | 1200-1600 |
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| 849 | Christian Delphin Wexelsen (1830-1883), Landscape with Cattle and Farm Buildings, probably Norway, oil on canvas, signed and dated 1879, 61cm x 103cm, within a gilt composition frame. | 180-240 |
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| 850 | Attributed to Robert Woodley Brown (fl.1840-1860), Figure in a Landscape with River, Bridge and Distant Mountains, oil on canvas, 18cm x 25cm, within a gilt composition frame. Note: a near identical scene signed by Woodley Brown was with Rosebery's, 20th November 2024, lot no.291. | 50-75 |
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| 851 | James T. Callowhill (1838-1917), River Landscape with Bridge and Figure, probably North Wales, oil on board, signed and dated 1881, 34cm x 44cm, within a gilt frame. | 80-120 |
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| 852 | Thomas Scott Callowhill (1840-1934), "On the Tarrat, South Wales", oil on canvas, signed and dated 1877 recto, titled verso, 21cm x 31cm, within a gilt composition frame. | 150-250 |
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| 853 | Myles Birket Foster (1825-1899), Shipping and a Waterside Tower, pencil drawing, artist's name and title to William Drummond gallery label verso, 9.5cm x 17cm, within a gilt frame. Provenance: William Foster R.W.S.; Christie’s 22nd March 1946; William Drummond. | 40-60 |
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| 854 | Christian Sell (1831-1883), Prussian Soldier on Horseback escorting a French Prisoner of War, oil on canvas, signed and dated 1870, 17cm x 27cm, within a gilt and painted wood frame. | 150-250 |
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| 855 | Thomas Charles Bale (1845-1925), The Young Puppeteers, oil on canvas, signed with monogram and dated 1866, 15cm x 20cm, within a gilt composition frame. | 200-300 |
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| 856 | Italian School, Capriccio Scene with Castle and River, 19th century tondo gouache, 10cm diameter, within a gilt composition frame. | 50-75 |
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| 857 | Follower of Guercino, Putti Studies, late 19th/early 20th century pen with ink, 23cm x 17cm, within a gilt frame. | 40-60 |
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| 858 | Harry Clayton Adams (c.1876-1956), "Ewhurst Hill, near Guildford", oil on canvas, signed and dated 1904 recto, titled verso, 23cm x 33cm, within a swept gilt composition frame. | 100-200 |
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| 859 | William Lionel Wyllie (1851-1931), "Hauling the Mainyard", etching with drypoint, signed in pencil recto, titled gallery label verso, 37cm x 27cm, within an ebonised wood frame. | 100-200 |
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| 860 | William Lionel Wyllie (1851-1931), Tugboat and Barge, pencil drawing, inscribed verso, 9cm x 15cm, within a Hogarth style frame. | 40-60 |
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| 861 | Romolo Pergola (1890-1960), Venetian Quayside Scene, 20th century oil on canvas, signed, 38cm x 78cm, within a gilt composition frame. | 80-120 |
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| 862 | William G. Whittington (act.1904-1914), Maritime Scene with several Sailing vessels in a stiff breeze near a Harbour Pier with Lighthouse, 19th century watercolour, signed, 27cm x 76cm, within a gilt frame. | 100-200 |
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| 863 | Follower of Abraham Hulk, Shipping in a Stiff Breeze, 20th century oil on board, 29cm x 39cm, within a gilt frame. | 40-60 |
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| 864 | Mogens Egil Ege (Danish, 1892-1946), Copenhagen Canal Scene, oil on canvas, signed, 33cm x 48cm, within a painted composition frame. | 60-100 |
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