for our Antique, Fine Art and Collectables auction to be held on Wednesday 20th and Thursday 21st of May 2026
| Lot No | Description | Est | Image |
|---|---|---|---|
| 914 | Circle of Adam Buck, Portrait of a Seated Gentleman, and Portrait a Seated Lady, a pair of early 19th century pastels, each 23cm x 20cm, both within silvered composition frames. | 60-90 |
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| 915 | Josef Herman (Polish/British, 1911-2000), Scottish Fishermen mending Nets, pen with ink, signed, 17cm x 22.5cm, within an ebonized frame. | 200-300 |
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| 916 | **Peter Malone (British, b.1953) "J for Jazz and K for Kitchen", watercolour with gouache, signed with initials, 21.5cm x 25cm, within an ebonized wood frame. Note: original illustration for "A World of Words", published by Lothrop USA in 1998. With thanks to Peter Malone for his assistance in cataloguing this lot. Provenance: The Rae-Smith Gallery, 2003. **Please note that Artists Resale Rights may be payable on this lot | 200-300 |
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| 917 | British School, Half Length Portrait of Paul White (1726-1779) curate of Kinver, Staffordshire, 18th century oil on canvas, 74.5cm x 62cm, within a swept gilt composition frame. | 150-250 |
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| 918 | British School, Three Quarter Length Portrait of Elizabeth Creed née Luscombe (1716-1762), 18th century oil on canvas, 118cm x 90cm, within a gilt composition frame. | 300-500 |
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| 919 | British School, Three Quarter Length Portrait of John Luscombe Esq of Combe Royal, High Sheriff of Devon, 18th century oil on canvas, 118cm x 90cm, within a gilt composition frame. | 300-500 |
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| 920 | Robert Sayer (British, 1725-1794), "The London Directory or a New & Improved Plan of London, Westminster & Southwark; with the adjacent County, the new Buildings, the New Roads, and the late alterations by Opening of New Streets, & widening of Others 1778", engraving with hand-colouring on laid paper, 41.5cm x 51cm, within an ebonised frame. | 100-150 |
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| 921 | An 18th century needlework sampler map of England and Wales by Sarah Stokes of Mrs Swains School, Burton, Staffordshire, dated 1784 recto, label with biographical details verso, within an ebonised frame. | 100-150 |
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| 922 | An 18th century needlework sampler map of England and Wales attributed to Hannah Hancox (1788-1832), label with biographical details verso, within an ebonised frame. | 60-90 |
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| 923 | Rich Hardcastle (b.1971), Portrait of Jeff Goldblum, limited edition photograph from an edition of 50, signed by Jeff Goldblum, 64cm x 64cm, within an ebonized frame. Note: published for the "Larger than Life" charity project 2008. | 50-75 |
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| 924 | **Lynn Chadwick (1914-2003), Seated figure, lithograph, signed and dated '71, published by Erker Press, 1971, 28cm x 19cm, unframed.**Please note that Artists Resale Rights may be payable on this lot | 500-700 |
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| 925 | Chinese School, Dragon Dance and Parading Figures, a pair of 19th century gouache on pith paper, each 19cm x 30cm, both within painted wood frames. | 50-75 |
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| 926 | **Alan Davie (British, 1920-2014), Little Dragon's Construction, oil on board, signed, titled and dated 2008 verso, 32cm x 37cm, within a painted wood frame. Provenance: Gimpel Fils, London. **Please note that Artists Resale Rights may be payable on this lot | 300-500 |
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| 927 | **Dame Laura Knight (British, 1877-1970), Female Nude, pen with ink, signed and inscribed "to our dear friends Gladys and Saxon Snell", 15.5cm x 12cm, within a gilt Bourlet frame. Note: Thomas Saxon Snell was the brother of Dorothy "Dolly Snell" who regularly sat for Laura. Dolly married Harold Knightâ??s brother Edgar in 1912.**Please note that Artists Resale Rights may be payable on this lot | 200-300 |
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| 928 | Ian Potts (British, 1936-2014), "Valley of the Kings, Egypt", watercolour, signed and titled lower left, 24cm x 33cm, together with another watercolour by the same hand, "At the Beach", both within oak frames. Note: Ian Potts was a distinguished British watercolourist and head of painting at Brighton University. A long-time educator, Potts mentored generations of artists including Turner Prize winner Rachel Whiteread. Represented in public collections including the V&A and the Arts Council, Potts exhibited widely throughout Britain and Europe | 50-80 |
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| 929 | After Henry Thomson (British, 1773-1843), "Distress by Sea", 19th century oil on canvas, 44cm x 34cm, within a gilt frame. | 60-90 |
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| 930 | Neil Holland, "The Priory Playhouse, Arundel", watercolour, signed and dated '80 recto, labels verso, 26cm x 33cm, within a silvered frame. | 40-60 |
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| 931 | Circle of John Prescott Knight, Portrait of a Lady wearing a Black Dress seated in an Armchair, 19th century oil on canvas, 44cm x 40cm, within a gilt composition frame. | 100-150 |
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| 932 | William G. Whittington (act.1904-1914), Maritime Scene with several Sailing vessels in a stiff breeze near a Harbour Pier with Lighthouse, 19th century watercolour, signed, 27cm x 76cm, within a gilt frame. | 700-900 |
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| 933 | David R. Meeks, "River Ray from the Fencott Bridge", late 20th/early 21st century watercolour, signed recto, titled label verso, 35cm x 51cm, within a gilt frame. | 40-60 |
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| 934 | Andrew Grant Kurtis M.A. (British, born 1963), river scape with trees and mountains in distance, oil on canvas 59cm x 90cm, artist stamp verso, within a gilt frame | 90-120 |
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| 935 | **Sherree Valentine Daines (British, b.1959), Interior Workshop scene with Man and Child, oval oil on canvas-board, signed and dated 1983 recto, Park Lane Fine Arts gallery label verso, 40cm x 52cm, within a gilt composition frame.**Please Note - Artists Resale Rights may be payable on this lot. | 400-600 |
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| 936 | William Huggins (1820-1884), Study of a Cow, pencil, charcoal and sanguine, signed, 26cm x 18cm, within a gilt frame. | 250-350 |
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| 937 | Ernest Stephen Lumsden (British, 1883-1945), "Jodhpur from the Desert" (India), etching with drypoint, signed in pencil recto, titled label verso, 12cm x 16cm, within an ebonized frame. | 80-120 |
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| 938 | James Ward R.A. (British, 1769-1859), "The Landing Place at Waterloo Bridge", watercolour, signed and titled with the artists address of Newman Street verso, 24cm x 20cm, within a gilt frame. Provenance: E. Stacey Marks (who erroneously ascribed the work to John Ward). | 250-350 |
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