for our Vintage and Interiors auction held on Wednesday 11th of September 2019
| Lot No | Description | Est | Image |
|---|---|---|---|
| 258 | Egyptian painting on papaya, study of hieroglyphics, 51cm x 45cm | 30-50 |
|
| 259 | Peter Hilliard, watercolour, "Evening Arrival" 16cm x 24cm | 30-50 |
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| 260 | A 1920's oil painting on canvas, study of a green glazed vase with flowers 48cm x 28cm, monogrammed SH? | 40-60 |
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| 261 | E O Burrow, an etching "Cheltenham College West Front" 20cm x 27cm, signed and 1 other "Cheltenham College From Playground" | 30-40 |
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| 262 | A montage of 3 photos, an official race card and 2 pages for Best Mate 2004, The Tote Cheltenham Gold Cup, Thursday 18th March '04, signed by J Culloty winning Jockey, 55cm x 67cm together with a signed limited edition print "Storming Home Cheltenham - Master Oats, Merrygale and Dubacilla in the Cheltenham Gold Cup" signed by the jockeys 37cm x 52cm and a limited edition signed print "One Man, A Great Gray Chases" signed by Richard Dunwoody no.58/750 33cm x 27cm (3) | 10-20 |
|
| 263 | Chas Crombie, prints, 14 amusing golfing studies 15cm x 22cm | 40-60 |
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| 264 | David Archer, watercolour, "Awaiting Orders", study of a Napoleonic artilleryman with cannon 19cm x 15cm | 30-40 |
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| 265 | Rowland, watercolour drawing, "St Catherine's Dock (The Discovery)" signed and dated 1982 28cm x 39cm | 26-36 |
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| 266 | A reproduction oil painting on board, study of a standing bull with sheep, 19cm x 24cm contained in a decorative gilt frame | 30-50 |
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| 267 | Ken Hammond (b1948) oil on canvas signed, study of a moored fishing vessel, 24cm x 19cm | 30-50 |
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| 268 | Ken Hammond (b1948) oil on board, signed, Dutch waterway scene with windmills, 45cm x 113cm | 30-50 |
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| 269 | A print of a Ferrari logo and another of Michael Schumacher driving in a 1999 Ferrari No 27, 98cm w x 68cm h | 20-30 |
|
| 270 | After P J Renouiter, a set of 4 botanical prints 33cm x 23cm, contained in gilt frames | 30-50 |
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| 271 | A pair of turned wooden and metal milliner's adjustable display stands, raised on turned bases 58cm h x 20cm x 14cm | 30-50 |
|
| 272 | An Edwardian inlaid mahogany coal box with brass handle and shovel 30cm h x 34cm x 47cm | 16-26 |
|
| 273 | Bromney Love of Liverpool, a Victorian pitched pine inverted breakfront kneehole pedestal desk fitted a drawer flanked by 8 short drawers, raised on later bun supports 78cm h x 122cm w x 57cm (the desk is in one section) | 30-50 |
|
| 274 | A French carved oak Art Nouveau sideboard with pink veined marble top fitted 2 drawers above a double cupboard enclosed by panelled doors, raised on turned and reeded supports 104cm h x 123cm w x 46cm d (small section of marble missing to the top) | 50-75 |
|
| 275 | A pair of Victorian oil paintings on boards, rural scenes 16cm x 26cm, contained in gilt frames | 30-50 |
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| 276 | Steve Lewis, watercolour drawing "The Kate" 34cm x 47cm | 20-30 |
|
| 277 | Gouache drawing, study of a sailing ship in heavy sea marked John Locke Baroque, Cape Horn, 56cm x 72cm | 20-30 |
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| 278 | A coloured print of an 18th Century seated lady 30cm x 25cm in a gilt frame | 20-30 |
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| 279 | A pair of Japanese prints, study of mountains and temples 39cm x 50cm | 20-30 |
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| 280 | Nanna Ditzel, a set of 4 plywood and tubular metal Trinidad stacking chairs with pierced fan shaped backs (some chips to the plywood) | 40-60 |
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| 281 | A rosewood finished drop flap dining table 74cm h x 87cm w | 20-30 |
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| 282 | A Georgian style square stool upholstered in brown buttoned leather, raised on cabriole supports 30cm h x 56cm | 30-50 |
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