sign in

Catalogue for our Antique, Fine Art and Collectables auction to be held on Wednesday 2nd and Thursday 3rd of July 2025

Viewing 1
11 sub categories
viewing : Oil Paintings, Watercolours and Prints
description ( and estimated value in GBP )
  • Robert Taylor (British, active 1737-1755) Full Length Portrait of a Gentleman wearing a grey jacket, green waistcoat and white stock with his right hand resting on a table with books, identified as James Pilling of Altrincham, 18th century oil on canvas, signed R. Taylor Pinx lower right recto, Christie's stencil verso, 125cm x 100cm, within a stained wood frame

883

Robert Taylor (British, active 1737-1755) Full Length Portrait of a Gentleman wearing a grey jacket, green waistcoat and white stock with his right hand resting on a table with books, identified as James Pilling of Altrincham, 18th century oil on canvas, signed R. Taylor Pinx lower right recto, Christie's stencil verso, 125cm x 100cm, within a stained wood frame £400-500

  • Jan Goeree (Dutch 1670-1731), coloured etching, map of Palestine with vignette 19cm x 14cm

884

Jan Goeree (Dutch 1670-1731), coloured etching, map of Palestine with vignette 19cm x 14cm £50-75

  • Jonathan I Richardson (British 1667-1745) - Three Quarter Length Portrait of Sir Thomas Bury (1655-1722), Chief Baron of the Exchequer, oil on canvas, circa 1719, 126cm x 100cm, within a gilt composition frame.  (re-lined) Note: a similar portrait of Thomas Bury by Richardson is in the collection of Gray's Inn, London.  A portrait mezzotint was published after one of these paintings by John Smith in 1720

886

Jonathan I Richardson (British 1667-1745) - Three Quarter Length Portrait of Sir Thomas Bury (1655-1722), Chief Baron of the Exchequer, oil on canvas, circa 1719, 126cm x 100cm, within a gilt composition frame. (re-lined) Note: a similar portrait of Thomas Bury by Richardson is in the collection of Gray's Inn, London. A portrait mezzotint was published after one of these paintings by John Smith in 1720 £1000-1500

  • **Arlette Martin (born 1924) oil on canvas signed, abstract seashore, inscribed on verso, unframed 50cm x 65cm, the reverse marked Plan D'eau 08-2010, Arlette Martin 01-02-94 **Please note - Artists Re-sale Rights may be payable on this lot

887

**Arlette Martin (born 1924) oil on canvas signed, abstract seashore, inscribed on verso, unframed 50cm x 65cm, the reverse marked Plan D'eau 08-2010, Arlette Martin 01-02-94 **Please note - Artists Re-sale Rights may be payable on this lot £70-90

  • After Giovanni Francesco Romanelli Il Viterbese (Italian 1610-1662), oil on canvas, relined, an allegorical study of Sibilla Cumana Di Guna From Marturelli Copit Md Marco Monlmenel Mureo Di Napoli 1901, 101cm x 74cm

888

After Giovanni Francesco Romanelli Il Viterbese (Italian 1610-1662), oil on canvas, relined, an allegorical study of Sibilla Cumana Di Guna From Marturelli Copit Md Marco Monlmenel Mureo Di Napoli 1901, 101cm x 74cm £500-700

  • 19th Century watercolour unsigned,  HMS Victory and distant town, 26cm x 41cm

889

19th Century watercolour unsigned, HMS Victory and distant town, 26cm x 41cm £100-150

  • Ran Chaya Graetz, 20th Century oval watercolour, monogrammed and dated '84, study of a young lady holding a doll beside a bike, 23cm x 17cm

890

Ran Chaya Graetz, 20th Century oval watercolour, monogrammed and dated '84, study of a young lady holding a doll beside a bike, 23cm x 17cm £50-75

  • Of cricketing interest, John Corbet Anderson (British 1827-1907), lithograph, Sketches at Lords, Clarke, Slow Bowler of Nottingham, Secretary to the All England Eleven, No.12, 21cm x 15cm

891

Of cricketing interest, John Corbet Anderson (British 1827-1907), lithograph, Sketches at Lords, Clarke, Slow Bowler of Nottingham, Secretary to the All England Eleven, No.12, 21cm x 15cm £100-150

  • Of cricketing interest, John Corbet Anderson (British 1827-1907), lithograph, Sketches at Lords, Alfred Minn Esquire, No.5, 21cm x 15cm

892

Of cricketing interest, John Corbet Anderson (British 1827-1907), lithograph, Sketches at Lords, Alfred Minn Esquire, No.5, 21cm x 15cm £100-150

  • Of cricketing interest, John Corbet Anderson (British 1827-1907), lithograph, Sketches at Lords, Martin Gell Born at Nutfield Surrey 1818, No.4, 21cm x 15cm

893

Of cricketing interest, John Corbet Anderson (British 1827-1907), lithograph, Sketches at Lords, Martin Gell Born at Nutfield Surrey 1818, No.4, 21cm x 15cm £100-150

  • Of cricketing interest, John Corbet Anderson (British 1827-1907), lithograph, Sketches at Lords, Fuller Pilch of Canterbury Born 1803, Height 6ft 1/2", No.7 21cm x 15cm

894

Of cricketing interest, John Corbet Anderson (British 1827-1907), lithograph, Sketches at Lords, Fuller Pilch of Canterbury Born 1803, Height 6ft 1/2", No.7 21cm x 15cm £100-150

  • Of cricketing interest, John Corbet Anderson (British 1827-1907), lithograph, Sketches at Lords, Joseph Guy, Born Nottingham in 1814, Height 5ft 9", No.11 and ditto Hillyer Born at Leybourne Kent No.3, both 21cm x 15cm

895

Of cricketing interest, John Corbet Anderson (British 1827-1907), lithograph, Sketches at Lords, Joseph Guy, Born Nottingham in 1814, Height 5ft 9", No.11 and ditto Hillyer Born at Leybourne Kent No.3, both 21cm x 15cm £100-150

  • 19th Century watercolour unsigned, a view of Plymouth Harbour with boats in sail and moored, painted on 4 separate sheets of paper, framed as one 26cm x 83cm

896

19th Century watercolour unsigned, a view of Plymouth Harbour with boats in sail and moored, painted on 4 separate sheets of paper, framed as one 26cm x 83cm £80-120

  • Jas Lambert, 19th Century coloured engraving, "Lamberts Correct View of Brighthelmston in 1765", perspective view of Brightonhelmston and of the sea coast as far as the Isle of Wight, in an eglomise mount 27cm x 60cm

897

Jas Lambert, 19th Century coloured engraving, "Lamberts Correct View of Brighthelmston in 1765", perspective view of Brightonhelmston and of the sea coast as far as the Isle of Wight, in an eglomise mount 27cm x 60cm £50-75

  • Remi Parr (French 1723-1760), coloured engraving dated August 1751, "North View of Westminster Bridge", 23cm x 39cm

898

Remi Parr (French 1723-1760), coloured engraving dated August 1751, "North View of Westminster Bridge", 23cm x 39cm £100-150

  • 19th Century pen and ink drawing, indistinctly signed and dated 1845, cartoon studies of people and horses 25cm x 13.5cm

899

19th Century pen and ink drawing, indistinctly signed and dated 1845, cartoon studies of people and horses 25cm x 13.5cm £40-60

  • 19th Century Indian watercolour, courtier with attendants 6cm x 20.5cm

900

19th Century Indian watercolour, courtier with attendants 6cm x 20.5cm £40-60

  • Oliver Passingham (British 1925-2003) watercolour signed, an amusing view of Arundel with figures at pursuits 51cm x 41cm

901

Oliver Passingham (British 1925-2003) watercolour signed, an amusing view of Arundel with figures at pursuits 51cm x 41cm £50-70

  • Oliver Passingham (British 1925-2003) watercolour signed, an amusing view of Chichester with policeman and tourists 35cm x 29cm

902

Oliver Passingham (British 1925-2003) watercolour signed, an amusing view of Chichester with policeman and tourists 35cm x 29cm £50-70

  • Leslie Gooday (British 1921-2013) still life study with oyster shells, brush pot and table, mixed media, signed, 48cm x 44cm, in a gilt frame

903

Leslie Gooday (British 1921-2013) still life study with oyster shells, brush pot and table, mixed media, signed, 48cm x 44cm, in a gilt frame £40-60