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Catalogue for our Antique, Fine Art and Collectables auction to be held on Wednesday 25th of February 2026

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description ( and estimated value in GBP )
  • After Sir Thomas Lawrence (1769-1830), Portrait of Sarah Garay Copley (nee Brunsden), Lady Lyndhurst, 19th century oil on board, 20cm x 17cm, within a gilt composition frame.

768

After Sir Thomas Lawrence (1769-1830), Portrait of Sarah Garay Copley (nee Brunsden), Lady Lyndhurst, 19th century oil on board, 20cm x 17cm, within a gilt composition frame. £50-80
detail
  • A sampler by Charlotte Harris "aged nine years" with letters of the alphabet and numbers in horizontal formation to the top with lines of crowns and coronets beneath, above a central panel of religious verse, enclosed in a floral border, dated 1844 Cromer, 41cm x 32cm, within a Hogarth style frame, together with another sampler by Rebecca Mason "aged nine years", dated 1878.

769

A sampler by Charlotte Harris "aged nine years" with letters of the alphabet and numbers in horizontal formation to the top with lines of crowns and coronets beneath, above a central panel of religious verse, enclosed in a floral border, dated 1844 Cromer, 41cm x 32cm, within a Hogarth style frame, together with another sampler by Rebecca Mason "aged nine years", dated 1878. £80-120
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  • John Deschamps, "The Galle-face Esplenade, from Middleburg Counterguard", "Colpitty, from the Cinnamon Gardens", "The Lake of Kandy", three stone lithographs with hand-colouring, published for "Scenery and Reminiscences of Ceylon" by Ackermann & Co 1845, each 22cm x 32cm, all within matching painted wood and gilt frames. Note: "Scenery and Reminiscences of Ceylon" was an important and ambitious survey of mid-19th century Sri Lanka, where Deschamps spent nine years as an officer in the Royal Artillery

770

John Deschamps, "The Galle-face Esplenade, from Middleburg Counterguard", "Colpitty, from the Cinnamon Gardens", "The Lake of Kandy", three stone lithographs with hand-colouring, published for "Scenery and Reminiscences of Ceylon" by Ackermann & Co 1845, each 22cm x 32cm, all within matching painted wood and gilt frames. Note: "Scenery and Reminiscences of Ceylon" was an important and ambitious survey of mid-19th century Sri Lanka, where Deschamps spent nine years as an officer in the Royal Artillery £250-350
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  • George Morland (British, 1763-1804), Droving Cattle in a Landscape with hilltop House and Horses, Donkeys, Dogs and Figures in a Landscape near a Cottage, a pair of 18th century pencil drawings on laid paper, The Tolley Gallery stamps verso, each 17cm x 29cm, both within stained oak wood frames.

771

George Morland (British, 1763-1804), Droving Cattle in a Landscape with hilltop House and Horses, Donkeys, Dogs and Figures in a Landscape near a Cottage, a pair of 18th century pencil drawings on laid paper, The Tolley Gallery stamps verso, each 17cm x 29cm, both within stained oak wood frames. £80-120
detail
  • Peter Gilman (British, 1928-1984), "Neiljan of Maldon, Snape", 20th century oil on board, signed recto, titled verso, 22cm x 29cm, within a painted and gilt frame.

772

Peter Gilman (British, 1928-1984), "Neiljan of Maldon, Snape", 20th century oil on board, signed recto, titled verso, 22cm x 29cm, within a painted and gilt frame. £40-60
detail
  • John Bluck, after Augustus Pugin, "Magpie Lane", aquatint with hand-colouring, published by Ackermann 1813, 29cm x 22cm, within a stained wood frame.

773

John Bluck, after Augustus Pugin, "Magpie Lane", aquatint with hand-colouring, published by Ackermann 1813, 29cm x 22cm, within a stained wood frame. £30-40
detail
  • Peter Gilman (British, 1928-1984), "Wells, Norfolk", 20th century watercolour, signed recto, titled verso, 13cm x 18cm, within a stained wood and gilt frame.

774

Peter Gilman (British, 1928-1984), "Wells, Norfolk", 20th century watercolour, signed recto, titled verso, 13cm x 18cm, within a stained wood and gilt frame. £40-60
detail
  • John Hall Thorpe (1874-1947), Bluebell Wood, woodcut in colours, signed in pencil, 19cm x 17cm, within an ebonized frame.

775

John Hall Thorpe (1874-1947), Bluebell Wood, woodcut in colours, signed in pencil, 19cm x 17cm, within an ebonized frame. £50-75
detail
  • Paul Gauci (fl.1834-1866), after Charles Robert Leslie, Arthur Wellesley, 1st Duke of Wellington, lithograph with hand-colouring, 35cm x 22cm.

776

Paul Gauci (fl.1834-1866), after Charles Robert Leslie, Arthur Wellesley, 1st Duke of Wellington, lithograph with hand-colouring, 35cm x 22cm. £30-50
detail
  • Robert Havell, after James Baillie Fraser (1783-1856) "A View of the Botanic Garden House and Reach" (Kolkata, India), engraving with aquatint and hand-colouring, published for "Views of Calcutta and its environs, from drawings Executed by James B. Fraser, Esq. From Sketches made on the Spot" by Rodwell and Martin 1824-1826, 32cm x 46cm, within a stained wood frame.

777

Robert Havell, after James Baillie Fraser (1783-1856) "A View of the Botanic Garden House and Reach" (Kolkata, India), engraving with aquatint and hand-colouring, published for "Views of Calcutta and its environs, from drawings Executed by James B. Fraser, Esq. From Sketches made on the Spot" by Rodwell and Martin 1824-1826, 32cm x 46cm, within a stained wood frame. £200-400
detail
  • Alexis van Hamme (Belgian, 1818-1875), "The Letters" (A Lady in an Interior Setting reading a Letter with a Spaniel at her Feet and a Cittern on the wall beyond), oil on panel, signed and dated 1874 recto, Christie's stencil and titled label verso, 55cm x 44cm, within a gilt composition frame with foliate strapwork and centre and corner crestings. Provenance: Christie's 12th June 1996, lot no.214.

778

Alexis van Hamme (Belgian, 1818-1875), "The Letters" (A Lady in an Interior Setting reading a Letter with a Spaniel at her Feet and a Cittern on the wall beyond), oil on panel, signed and dated 1874 recto, Christie's stencil and titled label verso, 55cm x 44cm, within a gilt composition frame with foliate strapwork and centre and corner crestings. Provenance: Christie's 12th June 1996, lot no.214. £300-500
detail
  • **Arthur Easton (1939-2024), Abstract with Figure, Bird and Plant in a Landscape, oil on canvas, signed and dated 1986, 71cm x 66cm. ** Please note, Artists Resale Rights may be payable on this lot

779

**Arthur Easton (1939-2024), Abstract with Figure, Bird and Plant in a Landscape, oil on canvas, signed and dated 1986, 71cm x 66cm. ** Please note, Artists Resale Rights may be payable on this lot £150-250
detail
  • After John Frederick Herring Senior (1795-1865), Fores's National Sports: Racing, A False Start, The Run In, Returning to Weigh, four restrike engravings with hand-colouring, each 45cm x 73cm, all within matching gilt frames.

780

After John Frederick Herring Senior (1795-1865), Fores's National Sports: Racing, A False Start, The Run In, Returning to Weigh, four restrike engravings with hand-colouring, each 45cm x 73cm, all within matching gilt frames. £50-75
detail
  • Circle of Thomas Hargreaves (1775-1846), Miniature Portrait of a Gentleman wearing a Black Jacket and White Stock, 19th century watercolour on ivory, 9cm x 7cm, within an ebonized frame. Ivory Exemption Certificate WMYA92AL

781

Circle of Thomas Hargreaves (1775-1846), Miniature Portrait of a Gentleman wearing a Black Jacket and White Stock, 19th century watercolour on ivory, 9cm x 7cm, within an ebonized frame. Ivory Exemption Certificate WMYA92AL £60-90
detail
  • George Walker of Liverpool, Miniature Portrait of a Gentleman in Profile wearing a Black Jacket and Stock, 19th century watercolour on card, 8.5cm x 7cm, within an ebonized frame.

782

George Walker of Liverpool, Miniature Portrait of a Gentleman in Profile wearing a Black Jacket and Stock, 19th century watercolour on card, 8.5cm x 7cm, within an ebonized frame. £50-80
detail
  • Circle of John Miers (British, 1756-1821), Miniature Portraits of Mr M. Hodgson and Mrs B.W. Hodgson, a pair of late 18th/early 19th century reverse painted on glass silhouettes, both titled verso, each 9cm x 7cm, both within gilt composition frames.

783

Circle of John Miers (British, 1756-1821), Miniature Portraits of Mr M. Hodgson and Mrs B.W. Hodgson, a pair of late 18th/early 19th century reverse painted on glass silhouettes, both titled verso, each 9cm x 7cm, both within gilt composition frames. £60-90
detail
  • Moritz Krantz (German, 1812-1869), Miniature Portraits of a Boy and Girl, a pair of 19th century enamels on porcelain, both signed, each 11.5cm x 9cm, both within gilt composition frames.

784

Moritz Krantz (German, 1812-1869), Miniature Portraits of a Boy and Girl, a pair of 19th century enamels on porcelain, both signed, each 11.5cm x 9cm, both within gilt composition frames. £100-200
detail
  • Arthur Rackham (British, 1867-1939), Full Length Portrait of a Gentleman, pen with ink, 15cm x 9cm, within a wooden frame. Provenance: Abbott and Holder, stock no. 47529.

785

Arthur Rackham (British, 1867-1939), Full Length Portrait of a Gentleman, pen with ink, 15cm x 9cm, within a wooden frame. Provenance: Abbott and Holder, stock no. 47529. £360-440
detail
  • Garman Morris (British, 1860-1935), Evening on the Medway, watercolour with gouache, signed and titled, 28cm x 70cm, within a gilt frame.

786

Garman Morris (British, 1860-1935), Evening on the Medway, watercolour with gouache, signed and titled, 28cm x 70cm, within a gilt frame. £50-70
detail
  • A Beardsley, British School, Moonlit Beach Landscape, 20th century oil on canvas, indistinctly signed, 39cm x 80cm, within a gilt frame.

787

A Beardsley, British School, Moonlit Beach Landscape, 20th century oil on canvas, indistinctly signed, 39cm x 80cm, within a gilt frame. £50-70
detail
  • Mellinger, British School,? Landscape with Pond and Trees, 20th century oil on board, artists name and dated 1927 to label verso, 44cm x 80cm, within a gilt frame.

788

Mellinger, British School,? Landscape with Pond and Trees, 20th century oil on board, artists name and dated 1927 to label verso, 44cm x 80cm, within a gilt frame. £40-60
detail
  • Thomas Rowlandson (British, 1756-1827), "The Refreshment", "The Dinner" and "The Death of the Fox", three etchings with aquatint and hand-colouring on laid paper, published by J. Harris 1787, each 39cm x 51cm, all within matching gilt frames.

789

Thomas Rowlandson (British, 1756-1827), "The Refreshment", "The Dinner" and "The Death of the Fox", three etchings with aquatint and hand-colouring on laid paper, published by J. Harris 1787, each 39cm x 51cm, all within matching gilt frames. £80-120
detail
  • Frank Sherwin (British, 1896-1985), Railway Bridge over the Medway, with Rochester Castle, Kent, 20th century watercolour, signed, 31cm x 43cm, within a painted wood frame.

790

Frank Sherwin (British, 1896-1985), Railway Bridge over the Medway, with Rochester Castle, Kent, 20th century watercolour, signed, 31cm x 43cm, within a painted wood frame. £80-120
detail
  • Alan Furneaux (British, b.1953), Moonlit View over the Mount with Penzance Fishing Boat, oil on canvas, signed recto, inscribed verso, 36cm x 46cm, within a painted wood frame.

791

Alan Furneaux (British, b.1953), Moonlit View over the Mount with Penzance Fishing Boat, oil on canvas, signed recto, inscribed verso, 36cm x 46cm, within a painted wood frame. £300-500
detail
  • Alan Furneaux (British, b.1953), Newlyn Harbour Scene under Moonlight, oil on canvas, signed recto, titled verso, 38cm x 38cm, within a painted wood frame.

792

Alan Furneaux (British, b.1953), Newlyn Harbour Scene under Moonlight, oil on canvas, signed recto, titled verso, 38cm x 38cm, within a painted wood frame. £300-500
detail