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Hermes, a green and yellow patchwork style wool blanket with deep fringe, labelled Hermes, 187cm x 145cm
SOLD FOR £260
Hermes, a green and yellow patchwork style wool blanket with deep fringe, labelled Hermes, 187cm x 145cm

Hermes, a tan, orange and black striped blanket, labelled Hermes, 182cm x 148cm
SOLD FOR £190
Hermes, a tan, orange and black striped blanket, labelled Hermes, 182cm x 148cm

Hermes, a grey and black wool and cashmere blanket with the distinctive H logo, labelled Hermes, 171cm x 135cm
SOLD FOR £220
Hermes, a grey and black wool and cashmere blanket with the distinctive H logo, labelled Hermes, 171cm x 135cm

A French early 20th Century adjustable tailors mannequin on a turned column with tripod base 162cm x 27cm x 19cm
SOLD FOR £70
A French early 20th Century adjustable tailors mannequin on a turned column with tripod base 162cm x 27cm x 19cm

Two Chinese carved and pierced gilt painted panels depicting birds amidst branches 23cm x 89cm x 22cm and 80cm x 17cm x 6cm
SOLD FOR £340
Two Chinese carved and pierced gilt painted panels depicting birds amidst branches 23cm x 89cm x 22cm and 80cm x 17cm x 6cm

Adcock Ian, A Bentley Continental R promotional photo volume, Osprey Publishing 1992, folio, bound in blue leather and gilt, contained in a gilt and blue slip case
SOLD FOR £90
Adcock Ian, A Bentley Continental R promotional photo volume, Osprey Publishing 1992, folio, bound in blue leather and gilt, contained in a gilt and blue slip case

Ronald Cameron (British 1930-2013) "Infinity", a bronze study of a reclining naked lady, signed "R Cameron" and editioned 4/8, 109cm (illustrated on centre pages of the catalogue).
SOLD FOR £1850
Ronald Cameron (British 1930-2013) "Infinity", a bronze study of a reclining naked lady, signed "R Cameron" and editioned 4/8, 109cm (illustrated on centre pages of the catalogue).

Ronald Cameron (British, 1930-2013), a black patinated cast metal study of a standing female nude on a circular base, signed "R. Cameron" and  editioned 4/8, 55cm.
SOLD FOR £180
Ronald Cameron (British, 1930-2013), a black patinated cast metal study of a standing female nude on a circular base, signed "R. Cameron" and editioned 4/8, 55cm.

**Colin Webster Watson (British 1926-2007), a  pair of polished bronze figure groups, one of 3 naked figures, signed Colin '69 3/6, raised on an oval black plinth, 28cm, the other an abstract polished bronze group of 3 naked figures in an embrace, signed Colin '69 4/6, raised on a circular black marble base 23cm, ** Please Note - Artists Re-Sale Rights may be payable on this lot
SOLD FOR £200
**Colin Webster Watson (British 1926-2007), a pair of polished bronze figure groups, one of 3 naked figures, signed Colin '69 3/6, raised on an oval black plinth, 28cm, the other an abstract polished bronze group of 3 naked figures in an embrace, signed Colin '69 4/6, raised on a circular black marble base 23cm, ** Please Note - Artists Re-Sale Rights may be payable on this lot

Arthur Bond "London 1944 As Seen by an A.R.P. Observer on the Roof of the Bank of England in the Summer of That Year" (Map of London), colour lithograph, published by the Baynard Press 1945, 67cm x 78cm. Note: This rare and attractive map was drawn by a member of the bank staff, Arthur Bond, which he originally prepared to serve as a "Roofspotters Guide" during the time of the flying bomb menace.
SOLD FOR £100
Arthur Bond "London 1944 As Seen by an A.R.P. Observer on the Roof of the Bank of England in the Summer of That Year" (Map of London), colour lithograph, published by the Baynard Press 1945, 67cm x 78cm. Note: This rare and attractive map was drawn by a member of the bank staff, Arthur Bond, which he originally prepared to serve as a "Roofspotters Guide" during the time of the flying bomb menace.

Jonathan I Richardson (British 1667-1745) - Three Quarter Length Portrait of Sir Thomas Bury (1655-1722), Chief Baron of the Exchequer, oil on canvas, circa 1719, 126cm x 100cm, within a gilt composition frame.  (re-lined) Note: a similar portrait of Thomas Bury by Richardson is in the collection of Gray's Inn, London.  A portrait mezzotint was published after one of these paintings by John Smith in 1720
SOLD FOR £640
Jonathan I Richardson (British 1667-1745) - Three Quarter Length Portrait of Sir Thomas Bury (1655-1722), Chief Baron of the Exchequer, oil on canvas, circa 1719, 126cm x 100cm, within a gilt composition frame. (re-lined) Note: a similar portrait of Thomas Bury by Richardson is in the collection of Gray's Inn, London. A portrait mezzotint was published after one of these paintings by John Smith in 1720

John Caesar Smith (British, 1930-2021) - Winter Landscape, oil on canvas signed and dated "87, 50cm x 72cm.
SOLD FOR £190
John Caesar Smith (British, 1930-2021) - Winter Landscape, oil on canvas signed and dated "87, 50cm x 72cm.

Circle of Henri and Charles Beaubrun,  Half Length Portrait of Queen Marie Therese of Austria, 17th century oil on panel, 17cm x 14cm
SOLD FOR £1250
Circle of Henri and Charles Beaubrun, Half Length Portrait of Queen Marie Therese of Austria, 17th century oil on panel, 17cm x 14cm

Anthony de Bree (1856-1921), Cattle, Drover and Dog on a Woodland Road, oil on panel, signed, 17cm x 22cm.
SOLD FOR £140
Anthony de Bree (1856-1921), Cattle, Drover and Dog on a Woodland Road, oil on panel, signed, 17cm x 22cm.

**Cherylene Dyer (British, b.1937) "Praying for Peace", oil on linen, signed, titled to label verso, 28cm x 39cm. ** Please Note - Artists Re-Sale Rights may be payable on this lot
SOLD FOR £85
**Cherylene Dyer (British, b.1937) "Praying for Peace", oil on linen, signed, titled to label verso, 28cm x 39cm. ** Please Note - Artists Re-Sale Rights may be payable on this lot

A 19th century sampler by Harriot Baker Ightham with verse above a central panel of flowers, trees, bouquets, dogs and birds enclosed in a strawberry border, dated July 31st 1801, ‘marked in the 10 year of her age’, 32cm x 32cm.
SOLD FOR £70
A 19th century sampler by Harriot Baker Ightham with verse above a central panel of flowers, trees, bouquets, dogs and birds enclosed in a strawberry border, dated July 31st 1801, ‘marked in the 10 year of her age’, 32cm x 32cm.

Witman Etelka Vizkeleti (Hungarian, 1882-1962), Figures at a Market, oil on canvas, signed, 48cm x 68cm.
SOLD FOR £150
Witman Etelka Vizkeleti (Hungarian, 1882-1962), Figures at a Market, oil on canvas, signed, 48cm x 68cm.

British School, Dartmouth Castle and Harbour, 19th century oil on panel, 17cm x 25.5cm.
SOLD FOR £80
British School, Dartmouth Castle and Harbour, 19th century oil on panel, 17cm x 25.5cm.

Thomas Hickey (Dublin 1741-1824 Madras), Half length portrait of William Skyrne of Ludlow (solicitor), wearing a black jacket and white stock, late 18th/early 19th Century oil on canvas, signed Thomas Hickey and dated 1803 verso, label for William Skyrne, Island House, Llaugharne, 70cm x 59cm
SOLD FOR £500
Thomas Hickey (Dublin 1741-1824 Madras), Half length portrait of William Skyrne of Ludlow (solicitor), wearing a black jacket and white stock, late 18th/early 19th Century oil on canvas, signed Thomas Hickey and dated 1803 verso, label for William Skyrne, Island House, Llaugharne, 70cm x 59cm

Haya Graetz-Ran (Israeli, b.1948), "Girl with a Doll and Bicycle", ink with watercolour, signed in Hebrew and dated '84, 23cm x 17cm.
SOLD FOR £55
Haya Graetz-Ran (Israeli, b.1948), "Girl with a Doll and Bicycle", ink with watercolour, signed in Hebrew and dated '84, 23cm x 17cm.

Attributed to Richard Dighton (British, 1795-1880) - Honour & Talent (Lord Falmouth and Fred Archer), 19th Century watercolour with ink and gouache, inscribed verso, 20cm x 15cm, within a gilt composition frame. Note: Fred Archer, a renowned English flat race jockey of the Victorian era, was hailed as "the best all-round jockey that the turf has ever seen." As a retained rider for Lord Falmouth, he secured more than half of his British Classic Races victories
SOLD FOR £160
Attributed to Richard Dighton (British, 1795-1880) - Honour & Talent (Lord Falmouth and Fred Archer), 19th Century watercolour with ink and gouache, inscribed verso, 20cm x 15cm, within a gilt composition frame. Note: Fred Archer, a renowned English flat race jockey of the Victorian era, was hailed as "the best all-round jockey that the turf has ever seen." As a retained rider for Lord Falmouth, he secured more than half of his British Classic Races victories

Indian Mughal School Portrait of Shah Jahan holding a Bird, late 19th/early 20th century watercolour with gouache, 11.5cm x 5cm
SOLD FOR £80
Indian Mughal School Portrait of Shah Jahan holding a Bird, late 19th/early 20th century watercolour with gouache, 11.5cm x 5cm

British Naive and Provincial School "Fishermen on a Riverbank", 19th century oil on board, 12cm x 14.5cm.
SOLD FOR £75
British Naive and Provincial School "Fishermen on a Riverbank", 19th century oil on board, 12cm x 14.5cm.

A Georgian inlaid rosewood sarcophagus shaped tea caddy with lion mask ring drop handles and ivory escutcheon, later converted to a trinket box 17cm h x 30cm w x 15cm d Ivory Exemption Certificate LUBRHP3C
SOLD FOR £80
A Georgian inlaid rosewood sarcophagus shaped tea caddy with lion mask ring drop handles and ivory escutcheon, later converted to a trinket box 17cm h x 30cm w x 15cm d Ivory Exemption Certificate LUBRHP3C

A set of 21 beech framed Queen Anne style high back dining chairs, the seats and backs upholstered in green silk, raised on square tapered supports with X framed stretchers 127cm h x 56cm w x 46cm d  (seats 30cm x 27cm).  These chairs were previously used in the Fortnum and Mason boardroom and were made by the After Noah workshop in 2017-2018 to match chairs originally purchased in the 1920's
SOLD FOR £160
A set of 21 beech framed Queen Anne style high back dining chairs, the seats and backs upholstered in green silk, raised on square tapered supports with X framed stretchers 127cm h x 56cm w x 46cm d (seats 30cm x 27cm). These chairs were previously used in the Fortnum and Mason boardroom and were made by the After Noah workshop in 2017-2018 to match chairs originally purchased in the 1920's