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results searching for artist n.ninetti

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**David Poole A.R.C.A. (b.1931) - Portrait of Barnes Wallis, pencil with charcoal, signed and dated 1968, 46cm x 33cm, within a painted wood frame. ** Artist's Re-sale Rights may be payable on this lot. Provenance: Sir Barnes Wallis thence by descent.
SOLD FOR £150
**David Poole A.R.C.A. (b.1931) - Portrait of Barnes Wallis, pencil with charcoal, signed and dated 1968, 46cm x 33cm, within a painted wood frame. ** Artist's Re-sale Rights may be payable on this lot. Provenance: Sir Barnes Wallis thence by descent.
**Alfred Egerton Cooper R.B.A. (British, 1883-1974) Portrait of Barnes Wallis sculpting a wood carving of his wife Molly, watercolour, signed with initals, 30cm x 24cm, within a stained wood frame.** Artist's Re-sale Rights may be payable on this lot. Provenance: Sir Barnes Wallis thence by descent. Note: Cooper produced two versions of this tender portrait displaying Wallis' devotion to his wife Molly. The other version painted in oils was sold at Dominic Winter on 17th December 2020, lot no. 331.
SOLD FOR £320
**Alfred Egerton Cooper R.B.A. (British, 1883-1974) Portrait of Barnes Wallis sculpting a wood carving of his wife Molly, watercolour, signed with initals, 30cm x 24cm, within a stained wood frame.** Artist's Re-sale Rights may be payable on this lot. Provenance: Sir Barnes Wallis thence by descent. Note: Cooper produced two versions of this tender portrait displaying Wallis' devotion to his wife Molly. The other version painted in oils was sold at Dominic Winter on 17th December 2020, lot no. 331.
**Alfred Egerton Cooper R.B.A. (British, 1883-1974), Half Length Portrait of Barnes Wallis wearing the C.B.E. and DSc robes of the University of London, oil on canvas, signed and dated 1964, 60cm x 50cm, within a painted composition frame. ** Artist's Re-sale Rights may be payable on this lot Provenance: Sir Barnes Wallis thence by descent. Note: this work has been on loan with the Royal Air Force Museum for over 28 years.
SOLD FOR £1100
**Alfred Egerton Cooper R.B.A. (British, 1883-1974), Half Length Portrait of Barnes Wallis wearing the C.B.E. and DSc robes of the University of London, oil on canvas, signed and dated 1964, 60cm x 50cm, within a painted composition frame. ** Artist's Re-sale Rights may be payable on this lot Provenance: Sir Barnes Wallis thence by descent. Note: this work has been on loan with the Royal Air Force Museum for over 28 years.
**Alfred Egerton Cooper R.B.A. (British, 1883-1974) Half Length Portrait of Barnes Wallis in Army Uniform smoking a Pipe, oil on canvas, signed with initials, 32cm h x 23cm w. Provenance: Sir Barnes Wallis thence by descent. Note: this work was most likely painted in 1915, while Cooper and Wallis were serving in the Artist Rifles. ** Artist's Re-sale Rights may be payable on this lot
SOLD FOR £5200
**Alfred Egerton Cooper R.B.A. (British, 1883-1974) Half Length Portrait of Barnes Wallis in Army Uniform smoking a Pipe, oil on canvas, signed with initials, 32cm h x 23cm w. Provenance: Sir Barnes Wallis thence by descent. Note: this work was most likely painted in 1915, while Cooper and Wallis were serving in the Artist Rifles. ** Artist's Re-sale Rights may be payable on this lot
**Arthur Easton (1939-2024), Abstract with Figure, Bird and Plant in a Landscape, oil on canvas, signed and dated 1986, 71cm x 66cm. ** Please note, Artists Resale Rights may be payable on this lot
SOLD FOR £140
**Arthur Easton (1939-2024), Abstract with Figure, Bird and Plant in a Landscape, oil on canvas, signed and dated 1986, 71cm x 66cm. ** Please note, Artists Resale Rights may be payable on this lot
Ethel Luella Curry (Canadian, 1902-2000), "Eastlake North Haliburton County", oil on board, signed recto, titled and dated July 1932 verso, 20cm x 25cm, within a painted wood frame. Note: Ethel Curry was a Canadian painter, printmaker, potter, and educator. Born in Irondale, Haliburton County, Ontario, in 1902, she studied at the Ontario College of Art beginning in 1924, where she learned from and worked alongside members of the Group of Seven, including Arthur Lismer and J.E.H. MacDonald. While in Toronto, Curry formed a lifelong friendship with fellow artist Doris McCarthy; the two met as students in the 1920s and later both taught in Toronto high schools. Curry spent much of her professional life as an instructor at Northern Vocational School before retiring in 1965 and returning to Haliburton, where she remained active in the local art community until her death in 2000. References: Robert Popple, "Northern Belle: The Life Story of Haliburton's Ethel Curry, Including Her Connections to the Group of Seven" (RTP Publications, Haliburton, Ontario, 2003).
SOLD FOR £540
Ethel Luella Curry (Canadian, 1902-2000), "Eastlake North Haliburton County", oil on board, signed recto, titled and dated July 1932 verso, 20cm x 25cm, within a painted wood frame. Note: Ethel Curry was a Canadian painter, printmaker, potter, and educator. Born in Irondale, Haliburton County, Ontario, in 1902, she studied at the Ontario College of Art beginning in 1924, where she learned from and worked alongside members of the Group of Seven, including Arthur Lismer and J.E.H. MacDonald. While in Toronto, Curry formed a lifelong friendship with fellow artist Doris McCarthy; the two met as students in the 1920s and later both taught in Toronto high schools. Curry spent much of her professional life as an instructor at Northern Vocational School before retiring in 1965 and returning to Haliburton, where she remained active in the local art community until her death in 2000. References: Robert Popple, "Northern Belle: The Life Story of Haliburton's Ethel Curry, Including Her Connections to the Group of Seven" (RTP Publications, Haliburton, Ontario, 2003).
Isabel Wrightson (British, 1890-1971), "French Crabbers in Newlyn Harbour", watercolour with gouache, signed and dated 1961 recto, titled label verso, 55cm x 75cm, within a painted wood and hessian frame. Exhibited: The Royal Society of British Artists 237th Exhibition in 1962, catalogue no. 196; Brighton Museum & Art Gallery Sussex Artists Exhibition 1968.
SOLD FOR £680
Isabel Wrightson (British, 1890-1971), "French Crabbers in Newlyn Harbour", watercolour with gouache, signed and dated 1961 recto, titled label verso, 55cm x 75cm, within a painted wood and hessian frame. Exhibited: The Royal Society of British Artists 237th Exhibition in 1962, catalogue no. 196; Brighton Museum & Art Gallery Sussex Artists Exhibition 1968.
Four Country Artists Sterling silver filled hallmarked figures - cock pheasant, owl, pair of king fishers and pair of ducks 5cm
SOLD FOR £130
Four Country Artists Sterling silver filled hallmarked figures - cock pheasant, owl, pair of king fishers and pair of ducks 5cm
A Country Artists Sterling silver filled hallmarked figure of 2 hummingbirds 18cm
SOLD FOR £75
A Country Artists Sterling silver filled hallmarked figure of 2 hummingbirds 18cm
A Country Artists Sterling silver filled hallmarked figure of 2 standing penguins 8cm and 1 other of 2 birds 10cm
SOLD FOR £95
A Country Artists Sterling silver filled hallmarked figure of 2 standing penguins 8cm and 1 other of 2 birds 10cm
Steve Langford for Country Artists, a pair of Sterling silver filled hallmarked figures of a hen and cock pheasant 11cm
SOLD FOR £80
Steve Langford for Country Artists, a pair of Sterling silver filled hallmarked figures of a hen and cock pheasant 11cm
A Country Artists Sterling silver filled hallmarked figure of a kingfisher 8cm and 1 other of a wren 10cm
SOLD FOR £85
A Country Artists Sterling silver filled hallmarked figure of a kingfisher 8cm and 1 other of a wren 10cm
A Country Artists Sterling silver filled hallmarked figure of a tortoise, base marked 925 and with millennium hallmark 6cm
SOLD FOR £120
A Country Artists Sterling silver filled hallmarked figure of a tortoise, base marked 925 and with millennium hallmark 6cm
**Alfred Egerton Cooper R.B.A. (British, 1883-1974) The Firth of Forth with the British Fleet from HMA 9 Airship, oil on canvas, circa 1916, signed recto, Bourlet labels verso, 69cm h x 89cm w, within a painted wood frame. ** Artist's Re-sale Rights may be payable on this lot. Provenance: Sir Barnes Wallis thence by descent. Exhibited: possibly "Airships in Peace and War" Prince's Gallery, Knightsbridge, September 1919. Note: The R.9 was the first airship on which Barnes Wallis worked, serving as an assistant at Vickers under Chief Designer H. B. Pratt, and was the first British rigid airship to fly. Alfred Egerton Cooper and Wallis were close friends from their time together in the Artists Rifles, a connection that lends particular resonance to this work. This painting may be among the earliest works executed in flight, or developed from sketches made in the air, and was very likely painted during the same flight as the photograph "An aerial view of a portion of the Grand Fleet at anchor in the Firth of Forth, taken from the British Airship R.9" (Imperial War Museum, cat. no. Q 20633). The painting is prominently displayed on the wall of Barnes Wallis's office in the 1955 film "The Dam Busters", widely regarded as one of the best-known and most beloved British war films of the post-Second World War era.
SOLD FOR £14500
**Alfred Egerton Cooper R.B.A. (British, 1883-1974) The Firth of Forth with the British Fleet from HMA 9 Airship, oil on canvas, circa 1916, signed recto, Bourlet labels verso, 69cm h x 89cm w, within a painted wood frame. ** Artist's Re-sale Rights may be payable on this lot. Provenance: Sir Barnes Wallis thence by descent. Exhibited: possibly "Airships in Peace and War" Prince's Gallery, Knightsbridge, September 1919. Note: The R.9 was the first airship on which Barnes Wallis worked, serving as an assistant at Vickers under Chief Designer H. B. Pratt, and was the first British rigid airship to fly. Alfred Egerton Cooper and Wallis were close friends from their time together in the Artists Rifles, a connection that lends particular resonance to this work. This painting may be among the earliest works executed in flight, or developed from sketches made in the air, and was very likely painted during the same flight as the photograph "An aerial view of a portion of the Grand Fleet at anchor in the Firth of Forth, taken from the British Airship R.9" (Imperial War Museum, cat. no. Q 20633). The painting is prominently displayed on the wall of Barnes Wallis's office in the 1955 film "The Dam Busters", widely regarded as one of the best-known and most beloved British war films of the post-Second World War era.
**Alfred Egerton Cooper R.B.A. (British, 1883-1974) "Putting on the outer fabric covering of the R100 in the shed at Howden", oil on canvas, signed and dated 1928 recto, additionally signed and dated 1928 with Bourlet label verso, 64cm x 77cm, within a painted wood frame. 76cm x 88cm. ** Artist's Re-sale Rights may be payable on this lot Provenance: Sir Barnes Wallis thence by descent. Note: The painting was reproduced in full colour in The Sphere, 28 September 1929, p. 26. It is prominently displayed on the wall of Barnes Wallis's office in the 1955 film "The Dam Busters", widely regarded as one of the best-known and most beloved British war films of the post-Second World War era, and appears in several publicity photographs of Barnes Wallis, including Roger George Clark's portrait of Sir Barnes Wallis at his desk, now in the collection of the National Portrait Gallery
SOLD FOR £6000
**Alfred Egerton Cooper R.B.A. (British, 1883-1974) "Putting on the outer fabric covering of the R100 in the shed at Howden", oil on canvas, signed and dated 1928 recto, additionally signed and dated 1928 with Bourlet label verso, 64cm x 77cm, within a painted wood frame. 76cm x 88cm. ** Artist's Re-sale Rights may be payable on this lot Provenance: Sir Barnes Wallis thence by descent. Note: The painting was reproduced in full colour in The Sphere, 28 September 1929, p. 26. It is prominently displayed on the wall of Barnes Wallis's office in the 1955 film "The Dam Busters", widely regarded as one of the best-known and most beloved British war films of the post-Second World War era, and appears in several publicity photographs of Barnes Wallis, including Roger George Clark's portrait of Sir Barnes Wallis at his desk, now in the collection of the National Portrait Gallery
**Alfred Egerton Cooper R.B.A. (British, 1883-1974), HMA 9 Airship in Flight over Norfolk, oil on canvas, signed and dated 1917 recto, Bourlet label verso, 61cm h x 91cm w, within a painted wood frame 72cm x 103cm. ** Artist's Re-sale Rights may be payable on this lot Provenance: Sir Barnes Wallis thence by descent. Exhibited: possibly "Airships in Peace and War" Prince's Gallery, Knightsbridge, September 1919. The No 9 was the first airship Barnes Wallis worked on as an assistant at Vickers with Chief Designer H B Pratt and the first British airship to fly. A E Cooper and Barnes Wallis were close friends and Cooper is thought to have gifted the picture to Wallis. The painting likely depicts flight over Norfolk as the Airship was stationed from October 17th 1917 at Royal Naval Air Service Station Pulham (later RAF Pulham). The painting is clearly visible in many publicity photographs of Wallis in his office.
SOLD FOR £3900
**Alfred Egerton Cooper R.B.A. (British, 1883-1974), HMA 9 Airship in Flight over Norfolk, oil on canvas, signed and dated 1917 recto, Bourlet label verso, 61cm h x 91cm w, within a painted wood frame 72cm x 103cm. ** Artist's Re-sale Rights may be payable on this lot Provenance: Sir Barnes Wallis thence by descent. Exhibited: possibly "Airships in Peace and War" Prince's Gallery, Knightsbridge, September 1919. The No 9 was the first airship Barnes Wallis worked on as an assistant at Vickers with Chief Designer H B Pratt and the first British airship to fly. A E Cooper and Barnes Wallis were close friends and Cooper is thought to have gifted the picture to Wallis. The painting likely depicts flight over Norfolk as the Airship was stationed from October 17th 1917 at Royal Naval Air Service Station Pulham (later RAF Pulham). The painting is clearly visible in many publicity photographs of Wallis in his office.
A Country Artists Sterling silver filled hallmarked figure of a swan and signet 12cm
SOLD FOR £75
A Country Artists Sterling silver filled hallmarked figure of a swan and signet 12cm
A Country Artists Sterling silver filled hallmarked figure of an owl, base marked 1991 14cm and 1 other 12cm
SOLD FOR £85
A Country Artists Sterling silver filled hallmarked figure of an owl, base marked 1991 14cm and 1 other 12cm
A Country Artists Sterling silver filled hallmarked figure of a seated duck 14cm
SOLD FOR £80
A Country Artists Sterling silver filled hallmarked figure of a seated duck 14cm
**Patrick Hughes (British, 1939-), limited edition screen print on card, "Breaking the Ice" numbered 178/250, signed and dated "82, mounted as a card titled Greetings for Christmas 1982 **Please note Artists Resale Rights may be payable on this lot
SOLD FOR £60
**Patrick Hughes (British, 1939-), limited edition screen print on card, "Breaking the Ice" numbered 178/250, signed and dated "82, mounted as a card titled Greetings for Christmas 1982 **Please note Artists Resale Rights may be payable on this lot
Diane Urwin, "Caribbean Market", acrylic on canvas, signed and dated 1994 recto, titled The Society of Women Artists label verso, 49cm x 39cm, within a stained wood frame.
SOLD FOR £65
Diane Urwin, "Caribbean Market", acrylic on canvas, signed and dated 1994 recto, titled The Society of Women Artists label verso, 49cm x 39cm, within a stained wood frame.
**Robert Gillmor (1936-2022), Smew Ducks, 20th century colour print, signed in pencil, 17cm x 21cm, within a silvered frame.** Please note, Artists Resale Rights may be payable on this lot
SOLD FOR £85
**Robert Gillmor (1936-2022), Smew Ducks, 20th century colour print, signed in pencil, 17cm x 21cm, within a silvered frame.** Please note, Artists Resale Rights may be payable on this lot
**Thomas James Carr (British/Irish, 1909-1999), Landscape with Trees, Figures and Buildings, oil on board, signed, 26m x 36cm, within a painted wood frame. Note: Born in Belfast, Thomas Carr studied at the Slade School of Fine Art before travelling widely in Europe and later settling in Newcastle, County Down. Associated with the Euston Road School during the 1930s, he is best known for realist paintings of domestic interiors and rural landscapes. Carr exhibited extensively in London from the mid-1930s and was included in the Objective Abstraction exhibition at the Zwemmer Gallery in 1935. His work is held in major public collections, including the Tate Gallery. ** Please note, Artists Resale Rights may be payable on this lot
SOLD FOR £800
**Thomas James Carr (British/Irish, 1909-1999), Landscape with Trees, Figures and Buildings, oil on board, signed, 26m x 36cm, within a painted wood frame. Note: Born in Belfast, Thomas Carr studied at the Slade School of Fine Art before travelling widely in Europe and later settling in Newcastle, County Down. Associated with the Euston Road School during the 1930s, he is best known for realist paintings of domestic interiors and rural landscapes. Carr exhibited extensively in London from the mid-1930s and was included in the Objective Abstraction exhibition at the Zwemmer Gallery in 1935. His work is held in major public collections, including the Tate Gallery. ** Please note, Artists Resale Rights may be payable on this lot
**Frank Brangwyn (British, 1867-1956), "Corfu", watercolour, signed with initials and titled recto, dated 1899 verso, 17cm x 12cm, within an ebonized frame. Provenance: Hartleys, 20th January 2021, lot no. 370.** Please note, Artists Resale Rights may be payable on this lot
SOLD FOR £180
**Frank Brangwyn (British, 1867-1956), "Corfu", watercolour, signed with initials and titled recto, dated 1899 verso, 17cm x 12cm, within an ebonized frame. Provenance: Hartleys, 20th January 2021, lot no. 370.** Please note, Artists Resale Rights may be payable on this lot
James Barnes (British, 1870-1923), Portrait of a Young Girl, 19th century oil on board, artists name to mount, 16cm x 12cm, within a gilt composition frame.
SOLD FOR £65
James Barnes (British, 1870-1923), Portrait of a Young Girl, 19th century oil on board, artists name to mount, 16cm x 12cm, within a gilt composition frame.