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Geoffrey Sparrow (British, 1887-1969), "The Eton College Beagles", etching with hand-colouring, signed and titled in pencil, 22cm x 29cm, within a Hogarth style frame.
SOLD FOR £130
Geoffrey Sparrow (British, 1887-1969), "The Eton College Beagles", etching with hand-colouring, signed and titled in pencil, 22cm x 29cm, within a Hogarth style frame.
Alexis van Hamme (Belgian, 1818-1875), "The Letters" (A Lady in an Interior Setting reading a Letter with a Spaniel at her Feet and a Cittern on the wall beyond), oil on panel, signed and dated 1874 recto, Christie's stencil and titled label verso, 55cm x 44cm, within a gilt composition frame with foliate strapwork and centre and corner crestings. Provenance: Christie's 12th June 1996, lot no.214.
SOLD FOR £540
Alexis van Hamme (Belgian, 1818-1875), "The Letters" (A Lady in an Interior Setting reading a Letter with a Spaniel at her Feet and a Cittern on the wall beyond), oil on panel, signed and dated 1874 recto, Christie's stencil and titled label verso, 55cm x 44cm, within a gilt composition frame with foliate strapwork and centre and corner crestings. Provenance: Christie's 12th June 1996, lot no.214.
Gustav Becker, a 400 day torsion clock, the 6.5cm dial, with Arabic numerals, the back plate signed Gustav Becker Made in Germany and numbered 1414658, complete with glass dome and key 30cm h x 18cm diam.
SOLD FOR £100
Gustav Becker, a 400 day torsion clock, the 6.5cm dial, with Arabic numerals, the back plate signed Gustav Becker Made in Germany and numbered 1414658, complete with glass dome and key 30cm h x 18cm diam.
**Alfred Egerton Cooper R.B.A. (British, 1883-1974) The Firth of Forth with the British Fleet from HMA 9 Airship, oil on canvas, circa 1916, signed recto, Bourlet labels verso, 69cm h x 89cm w, within a painted wood frame. ** Artist's Re-sale Rights may be payable on this lot. Provenance: Sir Barnes Wallis thence by descent. Exhibited: possibly "Airships in Peace and War" Prince's Gallery, Knightsbridge, September 1919. Note: The R.9 was the first airship on which Barnes Wallis worked, serving as an assistant at Vickers under Chief Designer H. B. Pratt, and was the first British rigid airship to fly. Alfred Egerton Cooper and Wallis were close friends from their time together in the Artists Rifles, a connection that lends particular resonance to this work. This painting may be among the earliest works executed in flight, or developed from sketches made in the air, and was very likely painted during the same flight as the photograph "An aerial view of a portion of the Grand Fleet at anchor in the Firth of Forth, taken from the British Airship R.9" (Imperial War Museum, cat. no. Q 20633). The painting is prominently displayed on the wall of Barnes Wallis's office in the 1955 film "The Dam Busters", widely regarded as one of the best-known and most beloved British war films of the post-Second World War era.
SOLD FOR £14500
**Alfred Egerton Cooper R.B.A. (British, 1883-1974) The Firth of Forth with the British Fleet from HMA 9 Airship, oil on canvas, circa 1916, signed recto, Bourlet labels verso, 69cm h x 89cm w, within a painted wood frame. ** Artist's Re-sale Rights may be payable on this lot. Provenance: Sir Barnes Wallis thence by descent. Exhibited: possibly "Airships in Peace and War" Prince's Gallery, Knightsbridge, September 1919. Note: The R.9 was the first airship on which Barnes Wallis worked, serving as an assistant at Vickers under Chief Designer H. B. Pratt, and was the first British rigid airship to fly. Alfred Egerton Cooper and Wallis were close friends from their time together in the Artists Rifles, a connection that lends particular resonance to this work. This painting may be among the earliest works executed in flight, or developed from sketches made in the air, and was very likely painted during the same flight as the photograph "An aerial view of a portion of the Grand Fleet at anchor in the Firth of Forth, taken from the British Airship R.9" (Imperial War Museum, cat. no. Q 20633). The painting is prominently displayed on the wall of Barnes Wallis's office in the 1955 film "The Dam Busters", widely regarded as one of the best-known and most beloved British war films of the post-Second World War era.
**Alfred Egerton Cooper R.B.A. (British, 1883-1974) "Putting on the outer fabric covering of the R100 in the shed at Howden", oil on canvas, signed and dated 1928 recto, additionally signed and dated 1928 with Bourlet label verso, 64cm x 77cm, within a painted wood frame. 76cm x 88cm. ** Artist's Re-sale Rights may be payable on this lot Provenance: Sir Barnes Wallis thence by descent. Note: The painting was reproduced in full colour in The Sphere, 28 September 1929, p. 26. It is prominently displayed on the wall of Barnes Wallis's office in the 1955 film "The Dam Busters", widely regarded as one of the best-known and most beloved British war films of the post-Second World War era, and appears in several publicity photographs of Barnes Wallis, including Roger George Clark's portrait of Sir Barnes Wallis at his desk, now in the collection of the National Portrait Gallery
SOLD FOR £6000
**Alfred Egerton Cooper R.B.A. (British, 1883-1974) "Putting on the outer fabric covering of the R100 in the shed at Howden", oil on canvas, signed and dated 1928 recto, additionally signed and dated 1928 with Bourlet label verso, 64cm x 77cm, within a painted wood frame. 76cm x 88cm. ** Artist's Re-sale Rights may be payable on this lot Provenance: Sir Barnes Wallis thence by descent. Note: The painting was reproduced in full colour in The Sphere, 28 September 1929, p. 26. It is prominently displayed on the wall of Barnes Wallis's office in the 1955 film "The Dam Busters", widely regarded as one of the best-known and most beloved British war films of the post-Second World War era, and appears in several publicity photographs of Barnes Wallis, including Roger George Clark's portrait of Sir Barnes Wallis at his desk, now in the collection of the National Portrait Gallery
**Alfred Egerton Cooper R.B.A. (British, 1883-1974), HMA 9 Airship in Flight over Norfolk, oil on canvas, signed and dated 1917 recto, Bourlet label verso, 61cm h x 91cm w, within a painted wood frame 72cm x 103cm. ** Artist's Re-sale Rights may be payable on this lot Provenance: Sir Barnes Wallis thence by descent. Exhibited: possibly "Airships in Peace and War" Prince's Gallery, Knightsbridge, September 1919. The No 9 was the first airship Barnes Wallis worked on as an assistant at Vickers with Chief Designer H B Pratt and the first British airship to fly. A E Cooper and Barnes Wallis were close friends and Cooper is thought to have gifted the picture to Wallis. The painting likely depicts flight over Norfolk as the Airship was stationed from October 17th 1917 at Royal Naval Air Service Station Pulham (later RAF Pulham). The painting is clearly visible in many publicity photographs of Wallis in his office.
SOLD FOR £3900
**Alfred Egerton Cooper R.B.A. (British, 1883-1974), HMA 9 Airship in Flight over Norfolk, oil on canvas, signed and dated 1917 recto, Bourlet label verso, 61cm h x 91cm w, within a painted wood frame 72cm x 103cm. ** Artist's Re-sale Rights may be payable on this lot Provenance: Sir Barnes Wallis thence by descent. Exhibited: possibly "Airships in Peace and War" Prince's Gallery, Knightsbridge, September 1919. The No 9 was the first airship Barnes Wallis worked on as an assistant at Vickers with Chief Designer H B Pratt and the first British airship to fly. A E Cooper and Barnes Wallis were close friends and Cooper is thought to have gifted the picture to Wallis. The painting likely depicts flight over Norfolk as the Airship was stationed from October 17th 1917 at Royal Naval Air Service Station Pulham (later RAF Pulham). The painting is clearly visible in many publicity photographs of Wallis in his office.
Two Moorcroft circular blue ground anemone dishes, a Moorcroft blue ground Autumn Leaf dish, a Moorcroft Queens Choice dish designed by Emma Bosson, the reverse dated 30 11 02 and signed, 12 cm and a Moorcroft Panache dish designed by Sian Leeper for the Moorcroft Collectors Club dated 2004 12cm
SOLD FOR £55
Two Moorcroft circular blue ground anemone dishes, a Moorcroft blue ground Autumn Leaf dish, a Moorcroft Queens Choice dish designed by Emma Bosson, the reverse dated 30 11 02 and signed, 12 cm and a Moorcroft Panache dish designed by Sian Leeper for the Moorcroft Collectors Club dated 2004 12cm
**Patrick Hughes (British, 1939-), limited edition screen print on card, "Breaking the Ice" numbered 178/250, signed and dated "82, mounted as a card titled Greetings for Christmas 1982 **Please note Artists Resale Rights may be payable on this lot
SOLD FOR £60
**Patrick Hughes (British, 1939-), limited edition screen print on card, "Breaking the Ice" numbered 178/250, signed and dated "82, mounted as a card titled Greetings for Christmas 1982 **Please note Artists Resale Rights may be payable on this lot
A Manchester United Football club 1966-67 Players Official Souvenir Championship magazine (32 pages), signed by George Best, Pat Crerand, David Herd, Tony Dunne, Nobby Stiles, Jimmy Ryan, Alex Stepney, etc.
SOLD FOR £180
A Manchester United Football club 1966-67 Players Official Souvenir Championship magazine (32 pages), signed by George Best, Pat Crerand, David Herd, Tony Dunne, Nobby Stiles, Jimmy Ryan, Alex Stepney, etc.
John Millington (British, 1891-1948), "The Rodney", 20th century watercolour, signed recto, titled verso, 26cm x 35cm, within a swept gilt composition frame.
SOLD FOR £60
John Millington (British, 1891-1948), "The Rodney", 20th century watercolour, signed recto, titled verso, 26cm x 35cm, within a swept gilt composition frame.
Thomas Bush Hardy (British, 1842-1897), "Katwijk, Netherlands", watercolour heightened with bodycolour, signed and dated 1890 recto, titled label verso, 24cm x 43m, within a gilt frame.
SOLD FOR £130
Thomas Bush Hardy (British, 1842-1897), "Katwijk, Netherlands", watercolour heightened with bodycolour, signed and dated 1890 recto, titled label verso, 24cm x 43m, within a gilt frame.
The Rubaiyat of Omar Khayyam, translated by Edward Fitzgerald with illustrations by Edmund Dulac, Hodder and Stoughton London 1909, limited edition number 94 of 750 (signed Edmund Dulac), bound in velum and gilt, 4to, the volume with 20 tissue guarded tipped-in plates throughout
SOLD FOR £260
The Rubaiyat of Omar Khayyam, translated by Edward Fitzgerald with illustrations by Edmund Dulac, Hodder and Stoughton London 1909, limited edition number 94 of 750 (signed Edmund Dulac), bound in velum and gilt, 4to, the volume with 20 tissue guarded tipped-in plates throughout
Julia Linstead, a pink etched glass vase decorated lilies, signed, 18cm x 23cm
SOLD FOR £130
Julia Linstead, a pink etched glass vase decorated lilies, signed, 18cm x 23cm
Charles Greville Morris (British, 1861-1922), Landscape with Cottage, Pond and Figures, oil on panel, signed and dated 1862, 17cm x 22cm, within a gilt composition frame.
SOLD FOR £80
Charles Greville Morris (British, 1861-1922), Landscape with Cottage, Pond and Figures, oil on panel, signed and dated 1862, 17cm x 22cm, within a gilt composition frame.
Henry Pilleau (British, 1815-1899), Barges and Gondolas on the Lagoon, Venice, oil on card, signed with monogram, 17cm x 24cm, within a painted wood and gilt frame.
SOLD FOR £100
Henry Pilleau (British, 1815-1899), Barges and Gondolas on the Lagoon, Venice, oil on card, signed with monogram, 17cm x 24cm, within a painted wood and gilt frame.
Christopher Osborne (British, b.1947), "April Skies over Milton Street", oil on board, signed recto, titled verso, 19cm x 29cm, within a stained wood frame.
SOLD FOR £85
Christopher Osborne (British, b.1947), "April Skies over Milton Street", oil on board, signed recto, titled verso, 19cm x 29cm, within a stained wood frame.
Christopher Osborne (British, b.1947), "Summer Morning", oil on board, signed recto, titled verso, 19cm x 29cm, within a gilt and hessian frame.
SOLD FOR £95
Christopher Osborne (British, b.1947), "Summer Morning", oil on board, signed recto, titled verso, 19cm x 29cm, within a gilt and hessian frame.
British School, J.N. a pair of 20th Century oil on canvas, Rustic Scene with Figures outside a Thatched Cottage and Rustic scene with a figure on a Lane near a thatched Farmhouse, both signed with initials and dated '22, each 25cm x 35cm, each within a stained wood frame.
SOLD FOR £55
British School, J.N. a pair of 20th Century oil on canvas, Rustic Scene with Figures outside a Thatched Cottage and Rustic scene with a figure on a Lane near a thatched Farmhouse, both signed with initials and dated '22, each 25cm x 35cm, each within a stained wood frame.
Christopher Osborne (British, b.1947), "October Morning, Litlington", oil on board, signed recto, titled verso, 19cm x 29cm, within a painted and gilt composition frame.
SOLD FOR £90
Christopher Osborne (British, b.1947), "October Morning, Litlington", oil on board, signed recto, titled verso, 19cm x 29cm, within a painted and gilt composition frame.
Diane Urwin, "Caribbean Market", acrylic on canvas, signed and dated 1994 recto, titled The Society of Women Artists label verso, 49cm x 39cm, within a stained wood frame.
SOLD FOR £65
Diane Urwin, "Caribbean Market", acrylic on canvas, signed and dated 1994 recto, titled The Society of Women Artists label verso, 49cm x 39cm, within a stained wood frame.
**Robert Gillmor (1936-2022), Smew Ducks, 20th century colour print, signed in pencil, 17cm x 21cm, within a silvered frame.** Please note, Artists Resale Rights may be payable on this lot
SOLD FOR £85
**Robert Gillmor (1936-2022), Smew Ducks, 20th century colour print, signed in pencil, 17cm x 21cm, within a silvered frame.** Please note, Artists Resale Rights may be payable on this lot
**Thomas James Carr (British/Irish, 1909-1999), Landscape with Trees, Figures and Buildings, oil on board, signed, 26m x 36cm, within a painted wood frame. Note: Born in Belfast, Thomas Carr studied at the Slade School of Fine Art before travelling widely in Europe and later settling in Newcastle, County Down. Associated with the Euston Road School during the 1930s, he is best known for realist paintings of domestic interiors and rural landscapes. Carr exhibited extensively in London from the mid-1930s and was included in the Objective Abstraction exhibition at the Zwemmer Gallery in 1935. His work is held in major public collections, including the Tate Gallery. ** Please note, Artists Resale Rights may be payable on this lot
SOLD FOR £800
**Thomas James Carr (British/Irish, 1909-1999), Landscape with Trees, Figures and Buildings, oil on board, signed, 26m x 36cm, within a painted wood frame. Note: Born in Belfast, Thomas Carr studied at the Slade School of Fine Art before travelling widely in Europe and later settling in Newcastle, County Down. Associated with the Euston Road School during the 1930s, he is best known for realist paintings of domestic interiors and rural landscapes. Carr exhibited extensively in London from the mid-1930s and was included in the Objective Abstraction exhibition at the Zwemmer Gallery in 1935. His work is held in major public collections, including the Tate Gallery. ** Please note, Artists Resale Rights may be payable on this lot
**Frank Brangwyn (British, 1867-1956), "Corfu", watercolour, signed with initials and titled recto, dated 1899 verso, 17cm x 12cm, within an ebonized frame. Provenance: Hartleys, 20th January 2021, lot no. 370.** Please note, Artists Resale Rights may be payable on this lot
SOLD FOR £180
**Frank Brangwyn (British, 1867-1956), "Corfu", watercolour, signed with initials and titled recto, dated 1899 verso, 17cm x 12cm, within an ebonized frame. Provenance: Hartleys, 20th January 2021, lot no. 370.** Please note, Artists Resale Rights may be payable on this lot
British Pop Art School, David Bowie as Ziggy Stardust, limited edition colour print, indistinctly signed, dated 2016 and editioned 9/15, 81cm x 58cm, within an aluminium frame.
SOLD FOR £55
British Pop Art School, David Bowie as Ziggy Stardust, limited edition colour print, indistinctly signed, dated 2016 and editioned 9/15, 81cm x 58cm, within an aluminium frame.
Barbara Crowe (British, b.1942), "Early Autumn Flowers", watercolour with gouache, signed recto, titled The Society of Women Artists label verso, 50cm x 57cm, within a gilt frame.
SOLD FOR £70
Barbara Crowe (British, b.1942), "Early Autumn Flowers", watercolour with gouache, signed recto, titled The Society of Women Artists label verso, 50cm x 57cm, within a gilt frame.