Wilhelmina Barnes-Graham (British, 1912-2004), "Nocturne", oil on paper laid onto board, signed and dated 1961 recto, titled, further dated 1962 and inscribed with artist's address verso, 25.5cm x 34cm, within a painted wood frame. Provenance: Alan Wheatley Art; David Lay, 30th July 2009.
Joseph Arthur Palliser Severn (1842-1931), "A Volunteer Camp on Wimbledon Common", watercolour, signed and dated 1868, 19.5cm x 29.5m, within a gilt frame. Provenance: Sotheby's, 18th December 1980, lot no.42.
Joseph Milner Kite (1862-1945), "Cagnes near Nice", oil on canvas-board, signed, titled and dated '08 recto, further titled and dated 1908 verso, 20.5cm x 31.5cm, within a gilt composition frame.
Edward Lear (1812-1888), "A Street Scene in Vevey, Switzerland", watercolour, inscribed and dated 1837, 28cm x 18cm, within a stained wood frame. Provenance: Christie's 8th July 1997, lot no.76.
Nisaburo Ito (1905-2001), "Pagoda of Ninnaji Temple in Snow" woodblock in colours, signed with seal recto, titled label verso, 39.5cm x 26cm, within an ebonized frame.
**Sherree Valentine-Daines (b.1959), Standing Female Nude, oil with acrylic and watercolour on paper, signed with initials, 44cm x 20cm, within a painted wood frame.**Please note that Artists Resale Rights may be payable on this lot
Kerry Darlington (b.1974), "Abstract Mixed Colours", 21st century acrylic with resin on board, signed recto, titled Buckingham Fine Art label verso, 87cm x 87cm, within a painted wood frame.
Hely Augustus Morton Smith, (1862-1941), "Looe to Rame Head" Cornwall, oil on canvas, signed and dated 1894 recto, titled artist's label verso, 64cm x 84cm, within a gilt composition frame.
William Frederick Witherington (1785-1865), Landscape with Distant Mountains and Figures on a Road, early 19th century oil on canvas, signed, 75cm x 109cm, within a gilt composition frame.
A sampler by Mary Clout with letters of the alphabet and numbers and verse in horizontal formation, enclosed in a floral border, dated 1772, 42cm x 30cm, within an ebonized frame.
Walter Richard Sickert (British, 1860-1942), "Le Pollet, Dieppe", ink with watercolour, signed, titled and dated 1900, 27cm x 19.5cm, within a stained wood frame. Provenance: Private collection, USA before 1993; Christie's Modern British & Irish Art, 21st March 2018, lot no.109.
Craig Davison (b.1965), "Can you feel the Force?", embellished colour print on canvas, signed and editioned 59/95 recto, titled Washington Green label verso, 60cm x 39cm, within a stained wood frame.
John Clarkson Isaac Uren (1845-1932), Steeple Rock, Kynance Cove, Cornwall, late 19th/early 20th century watercolour, signed, 29cm x 22.5cm, within a gilt frame.
Nora Spicer Unwin (1907-1982), "Coati Bears", wood-engraving on Japanese paper, signed, titled and editioned 6/50 in pencil recto, artist's label verso, 8cm x 11cm, within a painted wood frame.
Thomas Callender Campbell Mackie (1886-1952), "The Green Door", 20th century pastel, signed recto, titled artist's label verso, 34cm x 47cm, within a gilt frame.
David James (1853-1904), "Fistral Bay, Cornwall", oil on canvas, signed recto, titled and dated 1900 verso, 29cm x 49cm, within a gilt composition frame.
An 18th century needlework sampler "Wright's map of Cornwall" by Mary Roberts of Truro, dated 1785 recto, label with further details verso, 37cm x 52cm, within an ebonized and gilt frame. Note: a rare single county sampler map worked at Miss Warren's Ladies Boarding School, the Green, Truro. Two other "Wright's map of Cornwall" samplers are known, both bearing a Miss Warren's School inscription.
James Gillray (1757-1815), "Patriotic Petitions on the Convention", etching with hand-colouring, probably from the McLean edition circa 1830, 29cm x 42cm, within a gilt frame.