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Catalogue for our Antique, Fine Art and Collectables auction to be held on Wednesday 15th and Thursday 16th of July 2026

Viewing 1
11 sub categories
viewing : Paintings, Watercolours, Prints, Sculpture and Works of Art
description ( and estimated value in GBP )
  • Robert Morden, "Hampshire" (Map of the County), 18th century engraving with hand-colouring on laid paper, 36cm x 42cm, within an ebonized frame.

877

Robert Morden, "Hampshire" (Map of the County), 18th century engraving with hand-colouring on laid paper, 36cm x 42cm, within an ebonized frame. £30-40

  • Eugene Demester (1914-1984), "Pays de Caux, France", 20th century oil on canvas, signed, 25.5cm x 33m, within a swept gilt composition frame.

878

Eugene Demester (1914-1984), "Pays de Caux, France", 20th century oil on canvas, signed, 25.5cm x 33m, within a swept gilt composition frame. £60-90

  • Wilhelmina Barnes-Graham (British, 1912-2004), "Nocturne", oil on paper laid onto board, signed and dated 1961 recto, titled, further dated 1962 and inscribed with artist's address verso, 25.5cm x 34cm, within a painted wood frame. Provenance: Alan Wheatley Art; David Lay, 30th July 2009.

879

Wilhelmina Barnes-Graham (British, 1912-2004), "Nocturne", oil on paper laid onto board, signed and dated 1961 recto, titled, further dated 1962 and inscribed with artist's address verso, 25.5cm x 34cm, within a painted wood frame. Provenance: Alan Wheatley Art; David Lay, 30th July 2009. £3000-5000

  • Joseph Arthur Palliser Severn (1842-1931), "A Volunteer Camp on Wimbledon Common", watercolour, signed and dated 1868, 19.5cm x 29.5m, within a gilt frame. Provenance: Sotheby's, 18th December 1980, lot no.42.

880

Joseph Arthur Palliser Severn (1842-1931), "A Volunteer Camp on Wimbledon Common", watercolour, signed and dated 1868, 19.5cm x 29.5m, within a gilt frame. Provenance: Sotheby's, 18th December 1980, lot no.42. £300-500

  • Joseph Milner Kite (1862-1945), "Cagnes near Nice", oil on canvas-board, signed, titled and dated '08 recto, further titled and dated 1908 verso, 20.5cm x 31.5cm, within a gilt composition frame.

881

Joseph Milner Kite (1862-1945), "Cagnes near Nice", oil on canvas-board, signed, titled and dated '08 recto, further titled and dated 1908 verso, 20.5cm x 31.5cm, within a gilt composition frame. £200-300

  • Edward Lear (1812-1888), "A Street Scene in Vevey, Switzerland", watercolour, inscribed and dated 1837, 28cm x 18cm, within a stained wood frame. Provenance: Christie's 8th July 1997, lot no.76.

882

Edward Lear (1812-1888), "A Street Scene in Vevey, Switzerland", watercolour, inscribed and dated 1837, 28cm x 18cm, within a stained wood frame. Provenance: Christie's 8th July 1997, lot no.76. £2000-4000

  • Nisaburo Ito (1905-2001), "Pagoda of Ninnaji Temple in Snow" woodblock in colours, signed with seal recto, titled label verso, 39.5cm x 26cm, within an ebonized frame.

883

Nisaburo Ito (1905-2001), "Pagoda of Ninnaji Temple in Snow" woodblock in colours, signed with seal recto, titled label verso, 39.5cm x 26cm, within an ebonized frame. £80-120

  • **Sherree Valentine-Daines (b.1959), Standing Female Nude, oil with acrylic and watercolour on paper, signed with initials, 44cm x 20cm, within a painted wood frame.**Please note that Artists Resale Rights may be payable on this lot

884

**Sherree Valentine-Daines (b.1959), Standing Female Nude, oil with acrylic and watercolour on paper, signed with initials, 44cm x 20cm, within a painted wood frame.**Please note that Artists Resale Rights may be payable on this lot £250-350

  • Kerry Darlington (b.1974), "Abstract Mixed Colours", 21st century acrylic with resin on board, signed recto, titled Buckingham Fine Art label verso, 87cm x 87cm, within a painted wood frame.

885

Kerry Darlington (b.1974), "Abstract Mixed Colours", 21st century acrylic with resin on board, signed recto, titled Buckingham Fine Art label verso, 87cm x 87cm, within a painted wood frame. £300-400

  • Hely Augustus Morton Smith, (1862-1941), "Looe to Rame Head" Cornwall, oil on canvas, signed and dated 1894 recto, titled artist's label verso, 64cm x 84cm, within a gilt composition frame.

886

Hely Augustus Morton Smith, (1862-1941), "Looe to Rame Head" Cornwall, oil on canvas, signed and dated 1894 recto, titled artist's label verso, 64cm x 84cm, within a gilt composition frame. £300-500

  • William Frederick Witherington (1785-1865), Landscape with Distant Mountains and Figures on a Road, early 19th century oil on canvas, signed, 75cm x 109cm, within a gilt composition frame.

887

William Frederick Witherington (1785-1865), Landscape with Distant Mountains and Figures on a Road, early 19th century oil on canvas, signed, 75cm x 109cm, within a gilt composition frame. £1500-2500

  • John Landon (fl.1798-1827), Landscape with Figures and Distant Coastline, early 19th century oil on canvas, signed, 65cm x 90cm, within a gilt frame.

888

John Landon (fl.1798-1827), Landscape with Figures and Distant Coastline, early 19th century oil on canvas, signed, 65cm x 90cm, within a gilt frame. £300-500

  • Nina Carroll (1932-1990), "The Old Vic", pen, ink and watercolour, signed, 17cm x 24cm, within a gilt frame.

889

Nina Carroll (1932-1990), "The Old Vic", pen, ink and watercolour, signed, 17cm x 24cm, within a gilt frame. £40-60

  • A sampler by Mary Clout with letters of the alphabet and numbers and verse in horizontal formation, enclosed in a floral border, dated 1772, 42cm x 30cm, within an ebonized frame.

890

A sampler by Mary Clout with letters of the alphabet and numbers and verse in horizontal formation, enclosed in a floral border, dated 1772, 42cm x 30cm, within an ebonized frame. £30-50

  • Walter Richard Sickert (British, 1860-1942), "Le Pollet, Dieppe", ink with watercolour, signed, titled and dated 1900, 27cm x 19.5cm, within a stained wood frame. Provenance: Private collection, USA before 1993; Christie's Modern British & Irish Art, 21st March 2018, lot no.109.

891

Walter Richard Sickert (British, 1860-1942), "Le Pollet, Dieppe", ink with watercolour, signed, titled and dated 1900, 27cm x 19.5cm, within a stained wood frame. Provenance: Private collection, USA before 1993; Christie's Modern British & Irish Art, 21st March 2018, lot no.109. £1200-1500

  • Craig Davison (b.1965), "Can you feel the Force?", embellished colour print on canvas, signed and editioned 59/95 recto, titled Washington Green label verso, 60cm x 39cm, within a stained wood frame.

892

Craig Davison (b.1965), "Can you feel the Force?", embellished colour print on canvas, signed and editioned 59/95 recto, titled Washington Green label verso, 60cm x 39cm, within a stained wood frame. £150-200

  • Peter Newcombe (b.1943), "Little Oakley", watercolour, signed and dated 1989 recto, titled verso, 21cm x 29cm, within a gilt frame.

893

Peter Newcombe (b.1943), "Little Oakley", watercolour, signed and dated 1989 recto, titled verso, 21cm x 29cm, within a gilt frame. £50-80

  • John Clarkson Isaac Uren (1845-1932), Steeple Rock, Kynance Cove, Cornwall, late 19th/early 20th century watercolour, signed, 29cm x 22.5cm, within a gilt frame.

894

John Clarkson Isaac Uren (1845-1932), Steeple Rock, Kynance Cove, Cornwall, late 19th/early 20th century watercolour, signed, 29cm x 22.5cm, within a gilt frame. £40-60

  • Nora Spicer Unwin (1907-1982), "Coati Bears", wood-engraving on Japanese paper, signed, titled and editioned 6/50 in pencil recto, artist's label verso, 8cm x 11cm, within a painted wood frame.

895

Nora Spicer Unwin (1907-1982), "Coati Bears", wood-engraving on Japanese paper, signed, titled and editioned 6/50 in pencil recto, artist's label verso, 8cm x 11cm, within a painted wood frame. £40-60

  • Thomas Callender Campbell Mackie (1886-1952), "The Green Door", 20th century pastel, signed recto, titled artist's label verso, 34cm x 47cm, within a gilt frame.

896

Thomas Callender Campbell Mackie (1886-1952), "The Green Door", 20th century pastel, signed recto, titled artist's label verso, 34cm x 47cm, within a gilt frame. £100-200

  • Blanche Odin (1865-1957), Still Life with Roses, watercolour, signed, 36cm x 54cm, within a silvered frame.

897

Blanche Odin (1865-1957), Still Life with Roses, watercolour, signed, 36cm x 54cm, within a silvered frame. £300-500

  • David James (1853-1904), "Fistral Bay, Cornwall", oil on canvas, signed recto, titled and dated 1900 verso, 29cm x 49cm, within a gilt composition frame.

898

David James (1853-1904), "Fistral Bay, Cornwall", oil on canvas, signed recto, titled and dated 1900 verso, 29cm x 49cm, within a gilt composition frame. £400-600

  • Blanche Odin (1865-1957), Still Life with Roses in a Vase, watercolour, signed, 36cm x 41cm, within a silvered frame.

899

Blanche Odin (1865-1957), Still Life with Roses in a Vase, watercolour, signed, 36cm x 41cm, within a silvered frame. £200-400

  • An 18th century needlework sampler "Wright’s map of Cornwall" by Mary Roberts of Truro, dated 1785 recto, label with further details verso, 37cm x 52cm, within an ebonized and gilt frame. Note: a rare single county sampler map worked at Miss Warren's Ladies Boarding School, the Green, Truro. Two other "Wright’s map of Cornwall" samplers are known, both bearing a Miss Warren's School inscription.

900

An 18th century needlework sampler "Wright’s map of Cornwall" by Mary Roberts of Truro, dated 1785 recto, label with further details verso, 37cm x 52cm, within an ebonized and gilt frame. Note: a rare single county sampler map worked at Miss Warren's Ladies Boarding School, the Green, Truro. Two other "Wright’s map of Cornwall" samplers are known, both bearing a Miss Warren's School inscription. £200-400

  • James Gillray (1757-1815), "Patriotic Petitions on the Convention", etching with hand-colouring, probably from the McLean edition circa 1830, 29cm x 42cm, within a gilt frame.

901

James Gillray (1757-1815), "Patriotic Petitions on the Convention", etching with hand-colouring, probably from the McLean edition circa 1830, 29cm x 42cm, within a gilt frame. £40-60