A jade figure of Guan Yin, c.1900, seated and carved in the grey-green stone holding the Vase of the Essence of Life, a bird swooping with a rosary above her shoulder, 10.5cm
An early 20th Century small ivory table screen, almost square and carved in relief with a fisherman on a riverbank amazed at an immortal and maiden in the clouds, 9.8cm, with original carved hardwood stand, combined height 18cm
A 19th/20th Century jade boulder carving, the pale grey-green stone with amber inclusions carved with small figures of Shou Lao with his staff and a boy carrying his peach approaching a river under a mountain overhang and pines, two bats flying above, 19.5cm with stand
A Japanese Meiji period bronze and ivory mounted figure of a girl sitting on a trunk with a basket before her containing carved ivory fruit, signed, 14cm, on a wood stand
A mid 19th Century painted marble screen, formed of numerous white tablets with brightly coloured dignitaries and ladies between women and children, inscriptions and precious objects, the reverse with rocky landscapes and flowers, all mounted in hardwood framing surmounted by a carved and pierced crest of Shou and Chilong and on a long stand, 66cm h x 109 cm w
A second half of the 19th Century soapstone table screen, the chocolate-coloured stone carved with four houses built on rocks by a lake under pine trees and with details including a farmer with a buffalo, others in a rice field, mountains in the distance isolated in toffee-coloured inclusions, signed on the reverse 33.5cm x 26.5cm contained in a carved hardwood stand total height 50cm
An unusual Mandarin palette porcelain Brush-washer or Cache-pot, c.1770, the slightly-flared body with panels of figures reserved on iron-red under a black diaper ground, 15cm, carved wood stand (2)
A carved wooden Maori Kotiate short hand club, "liver cutter" measuring 35 cm long x 13cm wide. The reke (butt) of the handle a carved tiki with inset paua (abalone) eyes. At the base of the carved tiki a hole with possible original harakeke (flax) string. The body of the club is carved in the rauponga pattern making the origin likely to be the Waipu Valley on the North East Coast of New Zealand. The pattern consists in each quarter a row of dog-tooth notches (pakati) on each side of which are parallel grooves (haehae) and ridges (raumoa). The club body is inset 3 paua (abalone) shells. The club is identically carved each side and inset a total of eight shells.
A Japanese inlaid marquetry cabinet, the upper section with tambour shutter revealing 2 long drawers (1f), the base fitted 1 long drawer 23cm x 24cm x 10cm
A circular Newlyn style planished copper dish decorated fish 28cm diam. together with a circular embossed copper bowl with bird and floral decoration 22cm diam.